INPUT ARTICLE: Article: You’ll be working underneath the hole, so it’s important to protect your eyes and mouth from falling drywall dust and debris. Safety goggles are better than safety glasses because they fully wrap around your eyes and don’t let anything in.  Drywall dust can cause respiratory problems if inhaled, so always wear a dust mask when cutting and repairing drywall. Make sure you have a sturdy step ladder to work with as well so you can reach the ceiling. Carefully slice away any loose pieces of drywall and paper around the edges of the hole to neaten it up and get rid of any jagged edges. Try to clean the hole up enough that a drywall repair patch will be able to sit flush against the ceiling. This method will work for holes in drywall ceilings that are up to 6 in (15 cm) in diameter. Cut a square drywall repair patch with sharp scissors so it is 1 in (2.5 cm) taller and 1 in (2.5 cm) wider than the hole you want to patch. This will give it 0.5 in (1.3 cm) of extra length and width on each side so it can adhere to the ceiling around the hole. Drywall repair patches are made of a type of closely-woven mesh. They come in squares in different sizes up to about 8 in (20 cm) in diameter. You can buy a drywall repair patch at a home improvement center, hardware store, or online. Peel the protective backing off of the adhesive side of the drywall patch. Center the patch over the hole, then press it firmly against the ceiling around all the sides to make it adhere.  The adhesive will cure right away, so you can go ahead and start covering the patch with spackle. You now need to spackle and sand the patch to finish fixing the hole.

SUMMARY: Put on safety goggles and a dust mask. Use a utility knife to cut away any loose debris around the edges of the hole. Cut a drywall patch so it is 1 in (2.5 cm) bigger than the hole. Remove the backing from the patch and place the patch over the hole.

In one sentence, describe what the following article is about: Since deer's natural food source is made up from woody vegetation, it becomes harder for them to find food during the winter. This is the reason many people choose to feed deer. If you decide to feed deer during the winter months, be careful to feed them the proper types of food and slowly introduce it into their diets.  Begin introducing food slowly so that it does not harm the deer. Begin combine supplemental food with their natural diet of woody vegetation. This combination of new food into their natural diet will provide a smooth transition for their digestive tracks. Set up feeders or troughs in your yard. Set the feeders or troughs up as far away from your home as possible. If you have the means, you can keep your feeders or troughs full at all times. If not, you should stick to a set feeding time. The deer will become accustomed to eating your food, so try to keep the feeding on a regular schedule. Early morning or sunset are good times for feeding. Many people choose to supply deer with food only during the winter months, as this is when their natural food sources are the most scarce. But if you have the means, consider providing supplemental food to your deer year round. This will allow deer to adapt to the supplemental food so that it doesn't shock their system. This will also teach dear to combine their supplemental and natural food sources. When deer are fed by humans, they can easily become dependent and stop foraging for food naturally. If you feed deer and then suddenly stop (even if you've simply run out of food temporarily), the deer may go hungry or start bothering you for more food. You should slowly wean deer off of supplemental food so that they can begin foraging for food on their own again. Take the food away slowly and not all at once.
Summary: Feed deer during the winter months. Offer supplemental food to deer year round. Do not suddenly stop feeding deer.

INPUT ARTICLE: Article: There is very often also something new very near the end. Locate passages that you find especially rewarding. Are these passages repetitions, variations, or new? If they are variations, can you realize what it was that was varied? More importantly -- why is a certain section being repeated at all? Is it because the melody is great, or to make a point with the lyrics?   Melody is simply a collection of notes, like the beginning of "Seven Nation Army" or the vocal notes repeated in a chorus. A catchy melody, is usually the key to whether or not a song catches on.  Harmony is the collection of notes played at any one time. Some people think of it as "vertical," whereas melody is "horizontal." How do multiple voices, instruments, and notes come together in one instant to harmonize, or sound great on top of one another? What are the intangible feelings the song gives? Start simply -- is it happy, or sad? Do the instruments sound bright and bouncy, or thoughtful and somber? What sort of scene to you imagine the song being played over -- rainy, sunny, joyous, thoughtful, heartbroken, etc. Some terms to keep in mind include.   Colors: It may be hard to see color in sound, but close your eyes. Imagine the song is in a movie scene -- what is the dominant mood or color of that scene?  Balance: How many instruments are playing at once? Is it spare and sparse, the beginning of "Hey Jude?" Or is it big, bold, and filled with noise, like the end of "Hey Jude?"  Texture: A guitar can be "chunky" or "smooth," a trumpet solo can be "silky" or "abrasive." Mostly this comes from the rhythm -- are their long, well-held, smooth notes, or are they all short, choppy, and distorted? Notice things in the bass that seem alive, pregnant with meaning, or just sound cool. Notice the kinds of changes that happen at your favourite moment. Does the melody soar into an unfamiliar accent? Does a new rhythm add pungency? Does a buzz suddenly splinter into a fractured collision of noise and excitement? Does the song end up in the same, or a similar, place as where it started? Or does it tell a story, moving and evolving so that the singer feels "changed" from beginning to end. Both are viable types of songwriting, but both tell very different stories. If the song does seem to change, ask yourself how the singer and musicians made the "argument." At what point is there a shift in the overall idea or feel of the music? The key change in "Hey Jude" is one of the most important, and famous, instances of movement and change in pop music. In an instant, the song goes from somber and thoughtful to joyous and intense. Songs are not written in a vacuum -- and sometimes stepping into the context of a song suddenly makes the lyrics make sense. For example:  Eric Clapton's "Tears in Heaven" gains even more power when you know it is about his tragically deceased son. Kendrick Lamar's "Blacker the Berry" is a searing personal letter written right after Trayvon Martin was murdered. If you do not know the huge political and social ramifications of that case then the song likely falls on deafer ears. Getting into jazz, classical, prog rock, or any other musical form with 10 minute songs, is daunting. Don't worry if you get distracted or even a little bored at first -- it is only natural. But push yourself to focus on each section on repeat listens. Composing these pieces is no mistake, and the composer is trying to fill the time and pull you along with the song at every second. While they might not always succeed, work on focusing throughout the whole song. You'll be surprised at the subtle, exciting bits and pieces you pick up. Try out Duke Ellington's "Diminuendo in Blue," to get started. It is long, but high-energy and exciting throughout, with well repeated themes and melodies.

SUMMARY:
Recognize and listen for repetition and variation. Think carefully about the tone, mood, and feel of the music. Listen in for specific instruments, noting how the parts come together to form a greater whole. Think about the song's movement, or progression. Search for any crucial outside context about the track. Build up your musical concentration for longer pieces.