They're not your children, they're not in a position of deference to your preferences. If they want to watch a certain program on TV that you don't, show your respect and walk away. Be proactive and set things up to have your own space to avoid bumping into theirs, such as purchasing your own TV, watching things online or visiting a friend's place for those "must watch" things that don't interest your parents. From what you wear to what they eat, your choices will differ. This doesn't imply that either of you is right or wrong. Each person is entitled to the way that they want to live their own life. Respect and value their choices as you do yours. Never be afraid to be yourself but do it respectfully. They may actually be more accepting of you once they know things better. Your likes may even become their preference over time. Oh no, buddy. That's a lifelong rule. Live with it, and try to be happy while you're at it. It helps ease unnecessary controversy.
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One-sentence summary -- Always respect the wishes of your parents. Accept that your choices will differ. Introduce your likes, preferences and lifestyle to them in subtle ways. Just because you are an adult now, doesn't mean the golden rule "obey and respect your parents" (or something along those lines) vanished in thin air.

Q: If you have an angular face with wide cheekbones, then you most likely have a diamond shaped face. Wearing a hat with a smaller brim and pinched crown like a fedora or trilby hat may be good options for you. An oblong face is longer than it is wide. Most people with oval faces also possess a round chin. Wear Fedoras with wider brims or western hats to pull attention off the length of your face. Avoid hats that have narrow brims. If your face is as long as it is broad then you have a round face. Try on asymmetrical hats because they create contrast with your symmetrical face. Hats with a high crown and peaked or a slanted brim look best on you. Avoid hats with tall rounded crowns or a rounded brim because it will bring attention to the roundness of your face. If you have wide cheekbones and a large jaw, then you probably have a square face. Wear larger floppy hats like the Derby hat, or choose a hat that has rounded curves and edges like a bowler. Wearing a hat with a prominent crown can make your head look longer.
A: Choose a hat with a smaller brim if you have a diamond shaped face. Wear hats with larger brims if you have an oblong face. Choose a pointed hat if you have a round face. Choose a hat that has curves if you have a square face.

Article: In the beginning, worry less about finally getting your dubstep opus recorded, the one that you've had bumping around your mind for years. Instead, throw your efforts into playing around with the software and getting familiar with its particularities. Mess around and make joke tracks, record extreme or weird kinds of sounds you wouldn't normally want to listen to. Time spent learning the software will help you down the road when you want to translate something you hear in your head onto the computer. It's an instrument, so learn to play it. Whatever software package you choose to download and install, take the tour of the software or check out guide videos on YouTube to learn everything you can about it. Hook up with experienced dubstep producers who are willing to show you the ropes and teach you about the software and how to use it. Samples can be found with a quick Internet search, your own field recording sessions, or you can spend money and invest in a few sample libraries for a wealth of high-quality sounds to play with. Organize them into categories you'll be able to remember and start making music with song fragments that catch your ear.  Consider getting an external hard drive on which to keep your samples. Organize them into practical categories like "acoustic drums" "spoken word" and "synth sounds" or by textural descriptions to keep things interesting. Maybe label your categories "spacey" or "gnarly" to start combining interesting textures with your samples when you make music. Go old school and start crate-digging for used vinyl and convert your analog samples to digital. Seek out old songs that you've always loved and sample the hook from them. Typically, you'll set the tempo when you start a new track and the software will manipulate any preset beats or other effects to match the intended tempo of the song you're working on. If you're working with your own samples, though, this won't work, so it helps to get familiar with the way creating a beat works.  Beat tracks are made by organizing some combination of kick, snare, and hi-hat sounds into a base rhythm from which you'll build. Choose a kick sample and boost the bass and punch, or layer 3 different kick samples together to get that distinctive Dubstep kick sound. Dubstep tempos generally hover around 140 bpm. You don't have to stick to that, but dubstep songs don't generally fall below 120 or 130. One of the most distinctive elements of dubstep music is the iconic wobbly bass tone, which is typically recorded using a MIDI keyboard or synth and composing a simple bassline yourself. Many free synths can be found online, or you can invest in a professional synth package like Native Instrument's Massive or Rob Papen's Albino 3. Wobbles usually take a little tweaking and synth understanding to get right, but most synths come with pre-made "patches" which you can browse though and choose from. When you get more experienced, start double-tracking each wobble and adding other delays, distortions, and effects to create a collage tapestry that is a piece of electronic music.  Double track your wobbles into the top end and the clean subs at the bottom. When you start distorting and running the top end through a whole bunch of effects to dirty it up, it muds up the bottom end if it's not separated. Take your bass patch, copy the entire track with the synth on it, and then on the copy, use only one oscillator and change it to a sine wave. Then high pass the top end using an equalizer (at around 70 Hz) and low pass the sub (at around 78 Hz). Get some variations in your bass sounds by bouncing your samples to audio, tweaking the synth a little bit, and bouncing it back. Do it a few times, and you've got a library of bass wobbles that all follow the same bassline. You can further expand on this idea by running them all through different effects chains.
Question: What is a summary of what this article is about?
Play around. Build a library of samples. Practice building drum beats. Practice your wobble. Start adding effects and layers.