Article: That is, before you run off to the police, start with someone who has authority over the property. For instance, the apartment manager or the homeowner's association will likely be willing to intervene on your behalf. Discuss the issue with the association or manager by saying, "One of my neighbors seems to have an exhibitionist problem. He stands naked at his window every day for at least 10 minutes at a time, where my kids can see. Is there anything you can do to intervene?" Every U.S. state has laws about indecent exposure in public places. However, what counts as a public place varies by state. In some states, an area visible from a public place, such as a road, counts, while in other places, it doesn't. In other words, in some states, what happens in the home is the home owner's business, while in other states, that goes against the law. If you live in another country, be sure to check the laws in your area. If you're not sure if the person is violating local laws, consider calling the police on a non-emergency number. They can help you determine if your neighbor is violating local laws, and then they can let you know what they can do to help in your situation.
Question: What is a summary of what this article is about?
Try a local authority. Understand that laws vary. Call the police.

Problem: Article: You should know why you have decided to work the room. Your networking goal may be quite focused, such as trying to get an invite to a particular meeting, or you may simply hope to meet three new people with shared interests. Whatever your goal, you should keep it in mind as you enter the room.  If you are hoping to meet particular people at the event, you should do some research on their work beforehand. If you have any connections to the organizer, solidify them ahead of time. Give them a call to say you’d be happy to donate some services if it is a charity event. Use your connection to further your networking goals. First-time networkers should start with a goal like meeting two new people or getting two business cards. Experienced networkers may want to try to garner an invite to an exclusive society. Do some background research on the people you are hoping to meet at the event. Search their online profiles, such as company websites, social media profiles, reports or articles they have written, or articles about them in the news. Take note of things you have in common, such as graduating from the same school. Research how most people dress for the event and adopt a similar appearance. Look at photos of previous events on social media. Talk to anyone you know who has attended the event in previous years. Taylor your attire for the type of event, such as a nice suit for a job fair.  The recommended attire may be included on your invitation to the event. If you can’t figure out the attire, ask people who have gone to similar events. See if they have any advice on proper attire. Walk into the room with an upright and confident posture. Keep your head held high, shoulders back, arms at your sides, and legs planted hip width apart.  Make sure that you are aware of your facial expressions. Try to remember to smile to show that you are open and inviting.  Avoid defensive body language, such as folding your arms or legs. If you have weak posture, get in the habit of standing up straight. Don’t be afraid to talk with your hands. It shows confidence, just like eye contact and a wide stance.
Summary: Enter the room with a clear goal. Implement your networking goal. Put time into your appearance and attire. Enter the room with a confident posture.

Place a t-shirt board inside of the shirt and set the shirt onto an easel.  The t-shirt board will stretch the material, preventing wrinkles, folds, and dimples from sneaking in and ruining your design. They also prevent paint from seeping through to the other side of the shirt. Most t-shirt boards are made of thick cardboard, masonite, or foam board. The easel should hold the shirt at least 32 inches (81 cm) above the ground. It must be positioned in a way that allows your hand to move naturally over the shirt as you work. Position the airbrush over the stencil attached to the shirt. It is best to start at the edge of the design right than starting at the middle. The distance between the airbrush and the shirt will create different effects. For a soft appearance, hold the airbrush roughly 6 inches (15 cm) away from the shirt. For a harder appearance, hold it roughly 4 inches (10 cm) away from the material. Gently ease the trigger back to release a stream of paint. Steadily move your hand over the entire stencil to fill the exposed areas with paint.  When holding the airbrush close to the surface, ease up on the trigger to use less paint. You need to move your hand steadily across the entire surface as you airbrush the paint onto the material. Failing to move your hand will cause globs of paint to appear at the beginning and end of each stroke. Overlapping each pass will prevent gaps of blank space from appearing, creating a more even appearance. To switch colors, merely release the trigger to stop the spray, unscrew the old jar, and screw on the new jar. Some airbrush artists prefer to use a different airbrush for each color, but for bottom-fed airbrushes, you should be able to use the same brush for all colors. After filling in the stencil portion of the design, carefully peel the stencil straight back to remove it from the shirt.  Remove any tape holding the edges down before lifting away the stencil. If the stencil resists too much, you may need to wait until the paint dries before peeling it away. Doing so will minimize the risk of disturbing the paint and ruining the image. If you want to add freehand elements, now is the time to do so. Consider the placement carefully since there will be no way to undo any mistakes. Letters and numbers are the most common freehand elements. Consider practicing different fonts in advance before attempting to airbrush them onto a shirt.
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One-sentence summary --
Set up the t-shirt. Hold the airbrush over the shirt. Spray even, overlapping strokes across the surface. Switch colors as needed. Carefully remove the stencil. Add freehand designs as desired.