Problem: Article: Use a non-oily soap to wash your face and neck. Pay special attention to the hairline. Apply a scalp protector to the skin just below your hairline. The scalp protector protects your skin from the adhesive used to apply the wig, and keeps skin oils from weakening the bond of the adhesive. Let the scalp protector dry completely before attaching the wig. Before applying your wig, pull your hair back into a bun or a ponytail. You may need to wear a wig cap depending on the length of your hair. You can use a liquid adhesive or a special double-sided wig tape. If you are using the liquid adhesive, spread a thin layer around the perimeter of your head, just below the hairline. The glue needs to be tacky before you can apply the wig. Depending on the brand of adhesive, this could take several minutes. Use a blow dryer set to cool to speed the process.  Once the glue is tacky, place the wig on your head, and press the hairline of the front piece onto the glue line. Hold the wig onto the glued area. Apply constant pressure until the wig is secure and can stay on by itself. Let the glue dry completely before you style the wig.  To use wig tape, cut a piece of tape to fit the perimeter of your head, just below your hairline. Apply the tape to your forehead. Line the wig up so that the hairline is just on the edge of the tape. Peel the back of the tape off, revealing the other sticky side. Press the lace onto the adhesive, starting with the front hairline. Hold each section for about 30 seconds to make sure the wig is securely attached.
Summary: Wash your face. Pull your hair back. Apply the adhesive.

INPUT ARTICLE: Article: To scan a poem, you will need to use scanning symbols above each word in the poem. Make sure there is at least one line of space between each line of the poem so you can scan it properly. Keep in mind scanning symbols are always placed above each word, never below. This will make it easy for you to keep track of your scan of each line. You will need to write directly above the words in the poem to do the scan properly. Print out the poem, double spaced, and use a pen or pencil to scan it directly on the page. If you are using a poem in a book, you may need to type it up double spaced and print it out or write it down on a piece of paper. Scanning a poem requires you to listen to each syllable in every word of the poem out loud. To do this successfully, you will need to be in a space that is very quiet and has no surrounding noise or distractions. Go to a quiet area like a study room or your bedroom. You may also tell others around you that you are not to be disturbed while you scan the poem so you can concentrate.

SUMMARY: Double space the poem. Have a physical copy of the poem. Find a quiet space to scan the poem.

In one sentence, describe what the following article is about: Sweep up berries that fell from trees. Make sure that any picnic tables and chairs (or anything else outside) are completely free of food scraps and crumbs. Clean the area completely. Double check the area after you finish. Raccoons are omnivores, so they won't pass up any dog- or cat food scraps left outdoors. You can avoid this problem entirely by feeding your companion animals indoors. If you must feed Fido or Tiger outside, clean up every last scrap of wet or dry food when meal time is over. If you have a doggie door or cat flap, keep food bowls far away from these access points. Even a bird feeder with sunflower seeds might be tempting to a raccoon. Hang your bird feeder on a pole about 0.5 inches (1.3 cm) in diameter. Raccoons can't climb such skinny poles. Secure the pole firmly so that it can't be knocked over. Store any bird seed in metal trash cans or an indoor locations that raccoons can't access. If this isn't an option, lock up your bird feeder in the garage or tool shed just before sundown.
Summary: Clean up all food debris from your yard. Pay attention to pet food. Keep bird feeders out of their reach.

In one sentence, describe what the following article is about: . Palm-muting is essential to djent and most metal riffs. Learning to do alternate picking while muting all the strings on the guitar, or at least the strings you're playing, with the edge of your hand helps you to control the sound and make the percussive chug of the djent riff more prominent. Take your picking hand and rest the space between your pinkie and your wrist on the strings, in between the bridge and neck pick-ups. Do an alternate-picking pattern on the lowest string on your guitar. You're close to djent now. Polyrhythms are a common feature of djent, and most progressive or "math" metal. What this means, essentially, is that the riff is played at a distinctly different rhythm from the rest of the music, or the beat as its played. This can be played relative to the verses and choruses, or relative to the drums in the riff itself. If the concept of polyrhythms seems overly complicated, think of it as playing "off-time" riffs instead, as if you and the drummer were playing slightly different songs, but at the same tempo, but working together to create one effect. Say the word "djent" five times, fast. That's what you want your riffs to sound like. Think of like you're using your lowest guitar string like a snare drum to play a rhythmic and melodic "fill" that everyone can headbang to. The heavier and the more rhythmic, the better. Most djent riffs feature no more than one or two notes, so it doesn't need to be overly complicated. Most djent riffs are on the lowest string of the guitar, unfretted. One of the cornerstones of mathcore is abrupt transitions between the different sections of the song. Djent riff breakdowns typically slow down the tempo somewhat, relative to the verses and choruses. It's typical to start a djent song with the breakdown riff, then speed up to sing the verse, then shift to the chorus, then back to the  Sweeping arpeggiated solos Poppy choruses Frequent djent breakdowns and blast beats Abrupt tempo transitions
Summary:
Learn to palm-mute Write polyrhythmic riffs on a single note. Make it chug. Make breakdown riffs a feature of the music.