Write an article based on this "Know that a language is not created in a convention in a closed room at a certain time by a limited number of people."
article: It has been evolved among people living near and far from each other as an unwritten exchange of vocal symbols. The prodigy of human mind is that it follows such a set of discoverable rules on a consensus and similarity among such a vast population talking that language. With all elegance, these rules frequently are breached by exceptions that by vehement learning of a language and curiosity should be learned and memorized.

Write an article based on this "Use a reference photo or your own personal view. Draw a horizontal line across your page for the horizon. Add a focal point in your picture. Use perspective to maintain your proportions. Simplify the details in your drawing."
article: Find a photograph of a natural scene that you like, or look out the window and draw what you see. When you're drawing a landscape, it's often helpful to have some sort of reference to help you get your proportions right, especially when you're first starting out. The line that divides the ground and sky in a landscape picture is called the horizon line. Lightly sketch this line wherever you want your horizon to fall. Keep in mind that if your horizon features mountains, treetops, buildings, or other raised elements, it may not be a perfectly straight line.  According to the Rule of Thirds, your picture will be more visually interesting if you place the horizon line a third of the way up from the bottom or a third of the way down from the top of the page.  If you draw your horizon further up the page, the viewer will see more of the ground, and if you draw it further down, they'll see more of the sky. In a typical landscape picture, the paper is turned so it is wide, rather than tall. To make your landscape drawing seem interesting, add some eye-catching object for the viewer to look at. This might be a tree, a building, some interesting rocks alongside a stream, a barn, a waterfall, a bench, a person, or anything else you can think of. Typically, the focal point is the largest element in a painting, although it may also be an object that stands out because of its color or contrast.  For instance, a small patch of bright yellow flowers at the base of a stream would likely catch the viewers' eye if the rest of the colors in the painting are more sedate. A large shrub in the foreground of a painting could act as a focal point, as could a towering mountain in the background. It's helpful to try to find a reference photo or a natural angle with a focal point already included. However, you may need to select just a portion of a larger picture to make it interesting. For instance, you might focus your drawing on an area with an old tree, rather than trying to capture a whole park. When you're creating your drawing, imagine a vanishing point along your horizon line. Any lines in the picture should point back to this spot. This will mean that you draw elements in the foreground so they appear larger, while elements in the distance should be smaller. For instance, if you're drawing trees, the tops and bottoms of the trees in the foreground can stretch up to the edges of the paper, if you like. However, as trees recede into the background, the tops and bottoms should line up with an imaginary diagonal that angles in toward the vanishing point. When you're drawing a landscape, don't try to draw every leaf on a tree, every blade of grass, or every brick on a paved road. Instead, draw out the overall shape of an object, then add details to small sections to give the viewer the suggestion of texture and movement.  For example, you might draw a few wispy lines to indicate that a fir tree is covered with needles. Some detail is okay, and this will vary depending on your style of drawing. If you're drawing a stony pathway, for instance, you might fill in the details of the rocks in the foreground of the picture, then gradually start spacing them out until you're only using a few circular shapes spaced along the path. If you are practicing a hyper-realistic drawing style, you may choose to include as many details as you can, and that's fine too. However, that's a more advanced drawing technique, so if you're just starting out, you might want to include just the details on your focal point, and let the rest of the picture be more simple.

Write an article based on this "Make concrete plans and don’t cancel. Stop promiscuous behavior. Stop getting numbers of people you won’t call. Pursue the person you are truly interested in."
article:
Commitment phobes are notorious for being hard to pin down for invitations and plans. Challenge yourself to agree to dates planned a week out in advance -- or whatever is outside your comfort zone -- and do not cancel. Don’t say, “I’ll try to stop by” or “I might be able to make it.” Say, “Yes, I’d love to come,” and keep your word. If you have a tendency to sleep around, understand that your behavior may be the result of a search for an intimate connection with someone. The next time you have a desire to reach out to a friend with benefits, try connecting with a friend for a real conversation instead. Call a friend you trust and suggest meeting for coffee, for a drink, or for another activity where you can talk. Don’t set other people up for disappointment. If you have no intention in pursuing a relationship with the other person, do not lead them on.  Say you are talking to someone at a party. They say, “Hey, maybe we can get together sometime!” You know that you are not really attracted to the person and are not interested in pursuing a relationship. You could say, “I’m not really interested in dating right now, but thank you,” or “That’s so nice of you to offer, but I am working on some personal stuff right now.” Often, people with commitment issues do not pursue people they really like because they are afraid of the rejection, as well as the potential for a relationship. Instead, commitment phobes often find themselves having flings with people with whom they share few common interests, or people with whom they do not see a future.  Pursue a person with whom you share common values. If you want to develop a genuine relationship with someone, you need to make sure you share some common foundations upon which to build your relationship. These may be things like a shared culture or faith, the value you place on your careers or family, or character traits you both value in others.  Take a risk and put yourself out there for the person you really like. While a “no” can be painful and feel like a setback, you will learn it is not the end of the world. See the setback as a chance to make yourself braver. If the person you are interested in is also interested in you, great! Have courage and move slowly, and let the person know you want to move slowly. You could say, “I really like you and want to get to know you better, but I have had some difficult times in the past. I hope you can respect that I want to take this slow for right now.”