Problem: Article: Some packet sniffers work across various platforms, but most are written for a specific operating system. On wired networks, you can sniff packets across the network, depending on the hub or switch that's being used. Check your switch and network setup, since some switches may prevent sniffing from another network subnet. On wireless LANs, you can only monitor traffic on a specified channel. It's necessary to set the network adapter on the computer that will doing the sniffing to promiscuous mode. This will capture all types of network traffic – not just traffic being sent to the machine or a group that the machine belongs to. There are several choices in packet sniffing software. They include free shareware versions like Ethereal; sniffers that are bundled with other  software, like Microsoft Network Monitor, and fee-based systems like LAN watch. Make sure they have documentation, manuals, FAQs and other types of support to meet your needs.
Summary: Determine what your operating system and network structure are to narrow down choices of what kind of packet sniffer to use. Decide whether you can capture the traffic that you want to, based on your network structure. Find out whether the sniffer supports promiscuous mode. Decide how much you want to spend on a packet sniffer. Check out screenshots, product literature, and user reviews before choosing a product.

INPUT ARTICLE: Article: Twist the screw at the end of the bow and tighten it until it appears straight and parallel with the hairs. Then slacken it just a little until you see the curve reappear in the wood. This is the best position for the bow to be in while you play. Don't touch the hairs or bounce them on your arm, as this will make them greasy and harder to play. It doesn't matter if you are right- or left-handed, as you always hold the bow in your right hand while playing. Cup the rosin block in your left hand, being sure to keep your fingers off the side you’ll be stroking the bow against. Run the bow along the rosin from the tip down to the frog (the part you hold with your hand), and then stroke it back again. Grasp the bow gently and press down just hard enough that the bow hairs produce some dust, but not so hard that you’re clenching the bow. Stroke the bow back and forth across the rosin 20 times. Each time you finish a complete stroke (down and back), move the bow hairs over slightly to a new spot so that you don’t wear a line straight down the middle of the rosin. If your rosin block is circular, rotate the circle slightly in between each stroke. After twenty strokes, draw your bow along the strings of your instrument. Listen for a full, uninterrupted tone. If the sound is uneven or you feel the bow slide around on the strings, you’ll need more rosin. If the first 20 strokes didn’t produce the sound you want, repeat the process of stroking the bow over the rosin again. Add 20 more strokes, and then play the instrument to check the sound again. If you’re still unsatisfied, continue adding twenty strokes at a time and then checking the sound.

SUMMARY: Tighten the bow. Hold the rosin in your left hand and the bow in your right hand. Stroke the bow all the way across the rosin. Repeat for 20 full strokes. Play the instrument and listen for a full sound. Stroke the rosin 20 more times.

In one sentence, describe what the following article is about: A proper seduction cannot take place if you're in a crowded area. To be intimate, you need an intimate space. This could be at the end of a night at a party together, or after one of you has invited the other over. A quiet, private setting is important because you don't want any external pressures affecting the way the seduction is received. Even if someone wants to be seduced, they may feel shy about it if they think their friends will be there to see it happen. Even if your friend finds you physically attractive, you will have a hard time of properly seducing them if you're bringing their mood down. Emphasize your positive side. This can be done as simply as making a conscious decision to be pleasant around the person you would like to seduce. Being cheerful leads to opportunities to flirt more openly, whether you consciously mean to or not. A proper seduction is very rarely a serious thing. Touch is an important part of flirting. It's the way that's going to break the two of you past the barrier between friends and something more. Light touching can include anything from a hug to a brief touch on the arm. These movements aren't risking a lot, and you can usually tell from the way they're reacting to it whether they'll accept bolder gestures. You can try to keep your flirtations subtle if you want to save the chance of pulling back if you decide your affections aren't being reciprocated. While it's normal to make eye contact with a friend while you're talking, prolonged eye contact usually hints at something more. Studies have shown that holding someone's gaze for an extended amount of time can provoke intense feelings. Even if you normally spend time with this friend, make a point of keeping eye contact while you seduce them. The reaction of eye contact can be positive or negative. A lot of it depends on whether the other person finds you physically attractive. If the friend you want to seduce is already close and comfortable enough with you, regular conversation should come naturally to the two of you. With the foundations in place, you'll want to work playful flirting into your talk. Exchanging light, teasing remarks into your conversation is a great place to start. Compliments are a more direct way of showing interest, especially if those compliments are aimed at things you're typically attracted to. An example of a flirtatious remark: "Your hair looks great today. I think it really suits you." A simple but important thing to do before you make the final push is to reflect on the ways in which your friend has reacted towards your flirtations thus far. If they've smiled when you've touched them or responded to your teasing with teasing of their own, it's probable your friend is inviting you to make a move. On the contrary, if your friend is looking uncomfortable, it's probably a sign you should back off. Everyone's psychology is different. If you are already friends with this person, you should have at least a basic idea how you think they'd react to someone they're attracted to. All seductions involve a moment of truth. Most often, this means a kiss, although it might also mean an overtly sexual or romantic comment. If your friend has responded well to non-committal overtures, you can move in. Kissing on the lips is often seen as something that is reserved for more than just friends. Once you think the time is right, move in. Don't be too quick about it either. It may be stressful, but it's not an experience you want to rush. All bold moves are risky by their very nature. It's a good idea to feel out your chances before making a commitment to the seduction. A strange thing about seduction is that it sometimes becomes hard to know who is seducing who. Women generally tend to play a more submissive role in seductions, but women sometimes play it off as an active way to pull a man in. If you think there is mutual attraction there, they may well be waiting for the right moment to make their own move. You should let them know that it's a good idea to step in.
Summary:
Find a quiet moment together. Make the interaction light and playful. Express attraction through light touching. Hold your friend's gaze. Work flirtation into your conversation. Gauge your friend's current reaction. Make a bold move. Open yourself to the possibility of being seduced.