Problem: Article: Show the audience that the deck you're holding is just a normal pack of cards. Show them all the cards to help them believe.  You can also shuffle the deck or allow audience members to shuffle the deck before you start the trick. "  They should be bewildered that you successfully guessed their card.
Summary: Hold a deck of cards face-down in one hand. Ask the audience, "Is the bottom card the Ace of Diamonds?

INPUT ARTICLE: Article: This will be the distance you need to measure from the corner of the fabric, which will allow you to create the mitered corner. For example, if you want to create a 1 in (2.5 cm) border, then multiply 1 in (2.5 cm) by 2 for a total of 2 in (5.1 cm). Place your ruler so that it is lined up with 1 of the folded edges and start measuring from the corner. Mark this spot on the folded edges of your fabric with a pen or piece of chalk. Then, repeat the same measurement and marking process on the opposite edge of the same corner. You will need to make the same markings on all of the corners you want to be mitered. The 2 measurements should form a triangle on each of the corners of the fabric. Place the ruler so that the edge is lined up with the 2 adjacent marks. Then, use a pen or piece of chalk and the ruler’s edge to connect the marks in a straight line. Do this for each of the corners on your fabric. The right (print) sides of the fabric should be together and the wrong (non-print) sides should be showing. Insert a pin near the mark to hold the fold. Repeat this for each of the corners you want to sew

SUMMARY: Multiply the width of the border by 2. Measure from the corner from both sides and mark both locations. Repeat the measuring and marking process for each of the corners. Draw a line between the 2 adjacent marks you have made on a corner. Fold the corner of the fabric in half so the marks are lined up.

In one sentence, describe what the following article is about: Rollers are intended to cover a large area with paint efficiently. To cut down on the time you spend painting, put a moderate amount of paint in your tray. Then:  Place your roller into the trough of your tray until it is half saturated with paint. Roll it on the groves to remove excess paint. Do this several times to thoroughly wet the nap of your roller. Apply enough paint so the roller is wet through but not dripping. Now you're ready to roll! A small roller should help you work quickly while still providing enough maneuverability to get as much of the edges as you can. The panels are the inner shapes carved into the door, and should be focused on first.  Use moderate force when rolling; pressing too hard can cause paint to bead along the outer edge of your roller. Dip your paintbrush into your paint can and use the tip of it to get any narrow spaces in the paneling your roller cannot reach. Use your brush to smooth any heavy areas or dribbles. Do this by wiping free excess paint on the inner lip of your paint can, wiping the excess paint off the door, and wiping the excess paint back onto the inner lip. Be especially vigilant for buildup in corner and edges. Generally, you should follow the direction of the bar for the best effect. When painting a vertical bar or brace, use vertical motions with your roller. The opposite should be done for horizontal bars. Move your roller in an up and down motion to paint the left and right sides of your door. Then, using a left-to-right motion, paint the top and bottom borders.  When painting edges with a roller, extra paint caught in the nap of your roller sometimes squeezes out, causing a run line or thick area. Keep your eyes peeled and a brush handy to correct run lines or thick areas. Your paintbrush will allow you to paint difficult areas of your door with much greater detail and control. Use your brush to clean up edges where paint has collected and smooth out any unevenness in the paint. If painting a wooden door, paint with the grain, which is the direction the wood appears to flow in. The directions on your paint can should indicate how long you should let your paint dry before adding a second coat, but if you are unsure how long you should wait:  Wait 30 minutes for light coats and thinner paints. Wait four hours for thicker coats and medium thickness paints. Wait more than four hours for especially thick paints.
Summary: Prepare to use your roller. Paint panels with your roller. Use your roller to paint the crossbar. Paint the border of your door. Add finishing touches using your paintbrush. Allow the paint to dry.

In one sentence, describe what the following article is about: Enter the audition room with a smile. Be polite to the casting director and bring energy into the room. Casting directors are usually tired, overworked, and have seen many other actors before you. Stand out by being energetic and friendly.  Greet the casting director by introducing yourself. Shake their hand, if offered. The casting director may ask you to state your full name into the camera and turn to one side to see how you appear on camera. As you perform the script, make sure you pronounce your words clearly and loudly. Do not mumble or speak too low, as this will negatively impact your audition. Speak slowly and take your time. Use a positive, upbeat tone. As you will have the script memorized, look up at the casting director and make eye contact as you perform. Most casting directors are looking for actors who can be natural on camera, especially for television commercials. Try not to appear too staged in your audition. Project sincerity and honesty when you perform. Act like yourself. You may find your first read is much stiffer and staged than your second read. Try to relax, take deep breaths, and act more natural on your second read, if you are asked for one. After you do a first read, the casting director may ask you to improvise or give variety. Change up how you approach the script. Alter your voice and your body language. Do a different character or persona when you perform the script. Most casting directors will ask you to do this so it is smart to have a few alternative interpretations of the script on hand for the audition. The casting director may give you suggestions on how to perform the script or adjustments you can make on your second read. Always follow their instruction. Respond positively to their feedback and use it to make your performance better. Being able to take feedback from the casting director and run with it will show them that you are adaptable. It will also make it clear that you want the part and are willing to act as required to get it. At the end of the audition, you should thank the casting director, smile, and tell them you look forward to hearing from them. Leave the room on a positive note to increase your chances of getting the job. Then, wait for a callback from the casting director. You will usually get a callback within one week of the audition.
Summary:
Greet the casting director with a friendly, energetic demeanor. Enunciate your words and speak slowly. Act natural and sincere. Improvise when asked. Respond to direction from the casting director. Wait for a callback.