Avoid leaving them buttoned since it will make your rolled sleeves too tight. Make sure you get all of the buttons, including any that are higher up along the forearm. Bring your other cuff up to the same point on your arm as you did on the first sleeve. Look in a mirror, check that your sleeves’ lengths match, and make sure the rolls don’t look too thick.  Additionally, make sure the same amount of cuff is poking out on each side. Sometimes called the Italian Roll, this style looks especially great when the cuff’s inside lining is a different color than the rest of the shirt. The contrasting colors can create a striking accent and add interest to your outfit.
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One-sentence summary -- Unfasten each button on your sleeve cuff. Repeat the process to roll your other shirt sleeve.

Q: If you've noticed that your shoelaces seem to come untied frequently, try this knot, which is based off of the super-secure knot that doctors use to tie sutures after surgery (the knot is also popular with fishermen.) To start, make the same sort of basic "right over left" knot that you'd begin with when tying your shoes normally. To do this, simply take your right lace and cross it over the left lace. Wrap it around the left lace once and pull tight. You're done! After this, make a small "looped" section by doubling one of the laces back on itself. You're not doing any tying or wrapping here — just re-positioning one string so that it makes a U shape. Next, take the lace that you didn't make a loop with and pull it so it crosses behind the loop. Then, pull it back around in front of the loop. This should make a small "hole" between the two laces and the initial "right over left" knot at the bottom. " Take the slack end of the free lace in your hand and make a second loop by doubling it up on itself in a U shape (just like you did with the other lace.) Push this second loop through the "hole" that was formed in the previous step. Resist the urge to pull the knot tight at this point — if you do, you'll just be left with an ordinary shoelace knot. Now, take the second loop that you just pushed through the hole and wrap it all the way around the first loop. Push it back through the hole one again. "Double-wrapping" the loop this way is what makes the surgeon's knot so secure — the friction that's generated when the tightly-wrapped laces rub against each makes it very hard for this knot to come undone. Now, you can simply pull the loops in opposite directions to tighten the knot. The results will look a little like a standard shoelace knot, but should be much more secure. If you really don't want your laces to come undone, try soaking the knot in water before pulling it tight. As the water evaporates, the fabric of the laces will constrict, making the knot even tighter. Though this knot shouldn't come undone accidentally, it's not hard to undo when you want to take off your shoes. Simply pull on the loose ends of the laces like you would with an ordinary shoe knot and the surgeon's knot should come apart easily.
A: Make a standard "right over left" starting knot and loop. Make a loop with one lace. Bring the free lace behind the loop and around the front. Make a second loop with the free lace and feed it through the "hole. Wrap the new loop around the lace and back through the hole. Pull the loops to tighten. Undo the knot by pulling on the lace ends.

Article: Vowels in Quenya are fixed, and their pronunciations do not change based on their location in the word. The diacritic (small mark over a letter) over a vowel indicates that you hold the vowel sound for longer. Memorize the vowel sounds and practice pronouncing them.  “Y” is never a vowel in Quenya. It is always a vowel in Sindarin though. The written form of Quenya is Tengwar. You speak Quenya, but you write Tengwar. Most of the consonants in Quenya are pronounced the same way they would sound in English. There are a few unique rules though which are specific to Quenya though. Learn these rules and practice using them to get used to speaking Elvish.  There is no difference between “c” and “k” in Quenya. It is always pronounced like the hard c in “cup.” This can get confusing because both letters are used in Tengwar even though they’re pronounced the same way. Every “r” is rolled (or trilled), like a Spanish speaker saying “correo.” The sounds “n,” “ny,” and “m” are always soft, like an American English speaker pronouncing “nose” or “month.” These are called nasal constants, since they’re spoken while allowing air to flow through the nose. The letter “y” is always a consonant. Pronounce it with a harder sound, like and American English speaker saying “why.” If the word you’re reading in Quenya starts with a vowel, stress the first syllable by making it a little louder and pronouncing it more thoroughly. Let the other syllables roll of your tongue more softly. The stress patterns in Quenya are universal, so if the word starts with “a,” “e,” “i,” “o,” or “u,” stress the first syllable.  When there are only two syllables, always stress the first syllable even if there isn’t a vowel. So a word like “umin” is pronounced “UHM-en,” not “oo-MIN.” For words that don’t start in a vowel and have more than 2 syllables, always stress the third syllable. This means that elvish words like “hyarmen” would sound like “haram-YN,” with the voice inflecting upwards on the end of the word.  A lot of Middle Eastern languages have a similar pattern. This may sound kind of like Arabic or Aramaic at first. You may notice that there seems to always be a vowel sound in the third syllable of every word in Quenya. This is a pattern that is near-universal in Elvish, and is the main reason that Elvish languages have such elegant flows. In general, you can kind of sound Elvish—even without following the rules of the language—by applying an Italian accent when pronouncing Quenyan words. Native Italian speakers tend to use speech patterns from their native tongues to interpret English words, which can make your Elvish sound practiced even when it isn’t.  For example, if you were using an Italian accent, you would automatically dampen the second syllable in the Elvish words “ando” and “vala,” which would be correct. In Tolkein’s world, Quenya was spoken mainly by the High Elves, academics, and nobles. It is a sort of classical version of Elvish.
Question: What is a summary of what this article is about?
Sound out the Elvish vowels to memorize them. Identify which consonants differ from English and practice them. Stress the beginning of words that start in a vowel. Stress the third syllable in words that don’t start with a vowel. Use an Italian accent to pull off Quenya speech patterns.