Q: Light a fire in a fire pit, barrel or campfire location. If your fire is on or in the ground, clear brush and debris from the site. Choose a spot that is downwind and is at least 15 feet from your belongings.  Make sure there is water and a fire extinguisher nearby so that you can douse a runaway fire. Don't build a signal fire unless you are actually in need of help! Gather dried out fallen tree limbs and dry twigs. You will want larger logs and branches for fuel, large twigs for kindling, and small twigs for tinder. Gather dead wood that is thoroughly dry. Tinder can also be made of wadded up paper, bits of wax, strips of cardboard, or wood shavings. For wet foliage, gather leaves, weeds, and grass. If they are not damp, pour a few cups of water along them. Loosely pile the fuel logs at the bottom of your firepit. Stack kindling on top in a tipi, cross, or square "cabin" shape. Don't pack too much in—there should be air between the branches. Add kindling to the top and light with a match or lighter.  Add more tinder as the fire goes. Blow gently at the base of the fire to encourage it. When you have strong fire, you can add more kindling or fuel to keep it going. Once your fire has been going for a while, and shows no sign of stopping, dump the wet foliage on it. Step back several feet and admire the results: a tall plume of billowing white smoke.  If you do this in a remote location, you may attract rescuers. Alternatively, add a paper bag of wet straw. You'll get a smaller but longer-lasting plume. Douse the fire thoroughly with water when you are done. Check on it after the steam clears to make sure it isn't still burning, sparking, or smoking.
A: Set up a safe fire. Get dry and wet fuel. Build a fire from the dry fuel. Pile on wet foliage.

Article: This helps you to gain confidence and have a ready repertoire of things to say to keep the conversation going. Some of the things you could talk about include the weather, your studies/work assignments, recent achievements, places visited, movies seen, news stories of relevance or something you have in common with the person. Seek to make people laugh. Whether it's asking where your cell phone is when you're holding it or saying something wrong accidentally (or so they think), people like somebody who makes them laugh. Prepare yourself in advance by writing down and memorizing a few jokes. Or, find other fun things to share, such as stories about silly things that have happened to you. Remember that a lot of conversation is about encouraging the other person to do the talking, so be ready to listen carefully and act as a sounding board, feeding back summaries of what the other person has said to you. If you're nervous about talking to new people, ask your friends and family about what to say, and what to do if you say the wrong thing. Your friends and family won't mind you asking for tips on what to say to people.
Question: What is a summary of what this article is about?
Try writing down all the things you want to say to other people. Teach yourself to listen well. Talk to people you know and trust to gain more tips.

Problem: Article: If you're worried about being caught, smoking indoors tends to make the smoke cling to you even worse, making it difficult to get the smoke smell off. Go outside where the air circulation is better and where the breeze can naturally carry the smoke away from you. It's even more effective if you can wait for cooler temperatures.  If it's windy, turn your back against the wind. This way the smoke will blow away from you, not back into your face, clothes and hair. Some smokers think that smoking in humid or rainy weather makes the smoke less clingy. If you can find cover to keep your cigarette dry, smoke while it's raining to see if it works. If you can, take any jacket or coat you're wearing off before smoking and keep in a separate room, or keep clear of the smell of the smoke. You'll be able to keep your first layer smelling smoke-free. You'll still carry the smell with you, but there's considerably less of your clothing that will smell like smoke. Alternatively, wear a smoking jacket. Choose a thick wool or leather jacket that you only use for smoking. When you smoke, you can have a whole outfit set aside just for smoking, so that you can change into and out of it and avoid getting caught. Cover all of your hair with a stocking cap and wear thin gloves. Take them off before you go inside and find someplace to stash them. Leaving them outside, maybe in a shed or your car, will let them air out far away from prying noses. It might sound stupid, but keeping the cigarette as far away from your body as possible will cut down considerably on the smell. Most of the stink doesn't come from the smoke you inhale and exhale but from the smoke from the burning cigarette. Keep it away from you by setting it in an ashtray or on a log when you're not smoking to cut down on the cling.
Summary: Always smoke outside. Remove outerwear before smoking. Wear a hat and gloves. Smoke standing up, so the smell doesn't get into your pants or shoes.

INPUT ARTICLE: Article: Knowing the ins and outs of music production is secondary to learning about music.  You should understand music composition and theory.  Comprehending sheet music would be very beneficial.  Aim for one of the following four common band instruments:  Pianos are perfect for any genre and any song.  With newer pianos and synthesizers, any number of sounds can be made to reproduce the desired sounds.  But in terms of just melody, a piano is perfect to work on a song, accompany a voice, or find pitch. The drums are key to timing of music.  The drummer should be the band’s metronome, and all others should follow that lead.  With a bad drummer, the performance is sure to suffer.  Guitars are in pretty much every band.  Find out which chords are most popular/common, and learn to play them.  Being able to pick guitar chords out of a song shows a good musical ear. Playing the bass is a classically overlooked skill.  The bass is often the tempo for the rhythm section, and is a great foundation for any song you may produce. Part of being a good producer is knowing and understanding why a song needs to be changed.  Finding the subtle nuance that makes a song memorable or exciting is a talent that must be fine-tuned.  Your skill must be such that you can propose a change to an artist’s song and make it better.  Here are a few possible ways to change up your arrangement:  Try changing up the choruses from time to time. Experiment with unorthodox instruments for a unique sound. Drop the music and let there be a vocal focal point for a moment. Knowing about music is one thing, but having an ear for hits is another.  Gathering ideas for song selection, as well as session musicians, is critical when finding the next big thing.  Analyze trends in music, top hits, and songs getting lots of airplay.  Study the top ten religiously.  Look at the types of songs that are hits. Research which song-writers have the ear of the public at the moment. Being immersed in music production means you are up to date on all facts about the industry.  You’ll learn the best ways to record, the best songwriting techniques, and you’ll be better prepared to identify talent if you are more educated in the field. , Variety, and Rolling Stone are great for general music interests.  Future Music and Sound on Sound" are magazines specifically targeting music production.

SUMMARY: Learn how to play an instrument. Work on song arrangement changes. Select great songs. Read everything you can about music. Billboard

Q: This helps prevent smudging and errors, as it’ll be easier to paint your non-dominant hand rather than your dominant hand. Stretch your fingers out wide to prepare you for painting, and pay extra attention to your dominant hand when painting it using your non-dominant hand. Painting your pinkie first and then moving around your fingers to your thumb will help prevent smudging.
A:
Paint your dominant hand first to make the process easier.