Write an article based on this "Spice the meat. Place the seasoned meat in the meat grinder."
article: Add salt, Cayenne Pepper, fennel seeds, paprika, red pepper, chopped parsley, and cracked black pepper to the pork and set the bowl(s) aside. Leave the stuffer attachment out the first time you grind the pork. Wringing the meat through a second time will give your sausage a more even texture.

Write an article based on this "Keep it as natural as possible. Listen to the greats. Yell. Find your head voice. Sing through a sneer. Take care of your voice."
article: The most important part of fronting a punk band is to be authentic. If you're up there posing like you're something you're not, people will boo you off the stage faster than Nickelback at a metal fest. People will quickly hear if you're affecting a "punk voice," or being fake, so sing in the most natural, but aggressive form of your own voice.  Although it has grown into a commodity, and you can buy studded belts and Ramones tees at the mall, punk has roots in anti-establishmentism and class consciousness. The earliest punk bands were fronted by angry working class youths.  Anyone can be a punk singer nowadays, but it's important to understand the historical context of the music you want to perform. The best way to get a primer on great punk vocals is to listen to great punk music. It's important to explore punk rock from different eras and seek out the vocalists who pioneered the sound, and vocalists who are doing it right today. Check out:  Greg Graffin from Bad Religion Keith Morris from Circle Jerks and OFF! Patti Smith Henry Rollins from Black Flag Johnny Rotten from Sex Pistols Joan Jett Joey Ramone from The Ramones David Vanian from The Damned Jello Biafra from the Dead Kennedys A punk voice should sound a lot like your regular singing voice, but amplified into a louder version of itself. When you're done singing a punk song, your throat should feel raw, which is how you know you're doing it right.  Generally, punk vocals don't move up and down much, but hang on a single note, or a few notes. Volume is more important than vocal acrobatics. Popularized by some forms of progressive hardcore or "screamo," a different form of vocalizing is sometimes just called "screaming," with some bands even designating a particular screamer to the line-up. For more on this style of singing, read this article. Unlike metal singing or even country singing, which have very specific, established sounds that are associated with the voice, punk songs can be sung by all sorts of different vocalists. Mostly, though, we associate punk singers with a higher pitched "head voice," that comes from the throat and the nose, more than the diaphragm. If you have a high, nasally voice, you'll fit in right beside snotty punk bands like Zero Boys or Blink 182, while if you've got a lower growl, you'll be able to pull off a good Joe Strummer impression. Punk vocalists often look like they're in on some private joke you don't get, and you can hear it in the voice. It's a kind of sneering cool that's unique to punk and some other kinds of rock signing. Punk, aside from being a serious and emotional political form of music, is also a lot of fun to sing, and it should seem like it. Even though they're not punk, check out old Elvis Presley videos, and listen to Jerry Lee Lewis sing their classic rock stylings. These are big influences on punk vocals, and they've got the same current of cool running through. All that yelling can take a major toll on the vocal cords, so it's important to take some preventative and restorative steps to care for your instrument to keep yourself singing. You don't have to become a diva, but doing a few little things will keep you howling.  Make sure you stay hydrated when you sing, warming your throat with some hot tea and then hydrating afterwards with sports drink or plain water. While it may seem like a fast-track to a good punk rasp, smoking makes it much more difficult to maintain the breath support necessary for good punk vocals. Avoid cigarettes.

Write an article based on this "Choose someone to answer questions. Identify what you want to know. Write a list of questions. Consider the setting. Show respect. Identify off-limits questions. Set rules for how to pass on a question."
article:
The purpose of the game is to ask someone (solo, or a member of a group) 21 questions, all of which must be answered honestly. Although it can be played with friends you’ve had for a while, it is usually best to choose someone you don’t know as well, or someone you want to get to know on a deeper level. If you do not have a new acquaintance or romantic interest, tailor your questions to suit getting to know someone more deeply. Once you’ve chosen a person to ask questions of, identify what it is you want to know about them. If you’ve chosen a friend, do you want to know more about their background, or are you more interested in their future plans? If you’ve chosen a romantic partner, do you want to know about their dating history, or do you want to know how they feel about your relationship? If you are playing in a group, you can decide as a group what types of questions to ask. This can be tailored to each target, or there can be an overall theme for the game. There are two ways to play: the first involves people asking whatever questions come to mind, and asking them at random. The second has the pair (or group) come up with a set list of questions which are then posed to each person. Writing a list beforehand is the easier choice, as everyone knows what they will be asked, and will likely agree to answer. Asking at random may be the more entertaining choice, but is also at higher risk of getting too personal or inappropriate. If you decide to play this game with strangers or acquaintances you meet in a specific setting, you may want to take that setting into consideration when forming some or all of your questions.  If meeting with members of a book club or writer's group, you might ask questions like, “What is your favorite book?” or “If you could be any fictional character from any book, who would you be?” If meeting with a church group, consider questions such as, “What is your favorite Bible verse/story?” or “When did you first develop an interest in religion?” If meeting someone new at the grand opening of a coffee shop, consider questions like “What is your favorite snack to enjoy with coffee?” or “Would you rather give up coffee for a month or stop showering for a week?” Although many of the people playing 21 Questions use is as a method to ask probing or otherwise inappropriate questions, respect the privacy of the person being asked questions--particularly in a group of people. If they want to sidestep something, or answer in vague terms, allow them to do so. The golden rule is a great thing to keep in mind when playing this game. Treat the target the same way you’d like to be treated during your turn as a target. There are some questions that should not be asked in any circumstance. Before you begin the game, identify any questions that might be too inconsiderate, thoughtless, or crude to ask.  These questions can include broad categories such as sex and intimacy, or can be specific questions, such as, “Have you ever committed a crime?” You can also create guidelines about the sort of questions being asked based by theme. For instance, if playing 21 Questions at a church youth group, you might indicate that at least half of the questions must be religious in nature. There may be a question that is just too probing or intimate for someone to answer. To safeguard against people getting upset, make a rule before starting the game for these instances. A simple rule could be that a target can pass on a question, but must then be asked a question in its place, or that the target can pass on a question, but will forfeit their turn to ask the next target a question.