Q: Give it at least 15 minutes before you start carving the meat. This allows time for the lamb's juices to absorb back into the leg, which will make the meat more flavorful and moist. . If you used boneless lamb, simple cut it into 1-inch thick slices. For bone-in lamb, set the leg on a cutting board. Make perpendicular cuts an inch apart down the length of the leg, using a sharp knife to cut until the knife hits the bone. Stand the leg on its tip and use the knife to cut parallel to the bone so that the meat falls off in slices. Leg of lamb is traditionally served with a mint sauce or a gravy. The tender meat tastes delicious with a complementary sauce, and these choices don't take much extra time to make.   To make mint sauce, blend 2 cups fresh mint leaves, 1/4 cup olive oil, 2 garlic cloves, 2 tablespoons lemon juice and 1/4 cup plain yogurt in a blender. Pour over the lamb slices.  To make lamb gravy, pour the drippings from the roasting pan into a small saucepan and heat it to medium high. Add 1 chopped onion and sauté until translucent. Add 1 cup chicken stock and 1/2 cup wine, and simmer until it thickens. Season with salt and pepper. Pour over the lamb slices to serve. Leftover lamb will keep in the refrigerator for 3 days. You can also freeze lamb by wrapping the slices individually in aluminum foil, then reheating them as needed in an oven heated to 350 °F (177 °C).
A: Remove the lamb from the oven and let it rest. Carve the lamb Serve the lamb with sauce. Store the leftovers.

Q: Click the Windows logo in the bottom-left corner of the screen. The Start menu will pop up. Doing so searches your computer for the Run program. It's the speeding envelope at the top of the Start menu. Clicking it will open the Run window in the lower-left side of the screen. In the future, you can open Run by pressing ⊞ Win+R. This is the command to open the Windows Services Manager. This opens Windows Services Manager. It's a little ways down in the Windows Services Manager. All items are listed in alphabetical order ". It's in the middle of the window. It's the last option in the drop-down menu. This saves the changes you made to file. It's below "Google Update (gupdate)" in the Windows Services manager. ". It's in the middle of the window. It's the last option in the drop-down menu. This saves the changes you made to file. Doing so will cause your computer to save your changes and restart, after which point Google Chrome should no longer automatically update. Google Chrome will attempt to automatically update. If Google Chrome is unable to update, an error message will appear. If it says it is up to date, try one of the other methods listed here. .
A: Open Start . Type in run. Click Run. Type services.msc next to "Open". Click Ok. Scroll down and double-click Google Update (gupdate). Click the drop-down menu next to "Startup type: Select Disable. Click Ok. Double-click Google Update (gupdatem). Click the drop-down menu next to "Startup type: Select Disable. Click Ok. Click Restart when prompted. Type chrome://settings/help in your Google Chrome address bar.

Q: Grab a pen and paper, or print out some storyboards from the internet. A storyboard is simply a comic-book version of your video, which allows you play with the shots and ideas without wasting time or money on set. Remember that a story, at minimum, needs three parts, which you can diagram or illustrate any way you want. For an example, check out the humorous story in Das Racist's "Girl," which almost anyone could shoot on a minimal budget:  The Problem: First, we meet the characters -- a gorgeous girl and a working class boy who is immediately in love with her. She doesn't notice him. The Struggle: Second, we realize the boy doesn't have the courage to talk to her, so he follows her instead. Using purely visual jokes, the video explores his increasingly funny attempts to get close to her. The Resolution: He gets beaten up for his love by some thugs, but he doesn't give up. In a hilarious reversal of expectation, he makes his move finally -- on Facebook. Note how this is only about 50% of the video -- your story doesn't have to be long, as rapping and dancing can fill up the rest of the time. Use the cameras to find your angles for each location, then set the actors up in a "dry run." Once you know where they'll be and where they need to move you can set lights to ensure everything is visible and well-lit. In general, your goal when lighting is to have a few deep, dark blacks, small sections with clear whites, and a large range of grays and other colors in between.  The 1-2 hours before sunset and after sunrise have the best lighting of the day. Overcast days, however, are the most useful, since the light is calm but widespread under the clouds. While three lights with even shadows are the norm, don't discount more adventurous lighting patterns, like Coolio's "Gangster's Paradise," which uses interrogation-type lighting for a extra dramatic feel. It can help to prep shots in black and white mode to see how the lighting looks without color. A good shot in black and white will look great in color, usually. This isn't a feature film requiring precise, coordinated movements. Let people have fun and keep your direction simple. In general, you'll have the best results by letting people bring their own personality on camera instead of micromanaging. If you're in with friends or trusted collaborators, consider having someone "in charge" of the extras, providing light instruction while you set up shots or lights. If something happens to your production you want to be sure you have enough footage for a full video as soon as possible. Pick your favorite 1-2 locations and run through the whole song several times, ensuring you could put a video together even you can't film again for some reason. Take multiple angles here instead of shooting the same shot three times. If you know the first one is good, move the camera before doing it again. Rap is a personality-driven art form, where the individual rapper is the main force behind albums, videos, and sales. Make sure that they are the focus of all the rapping sections, and they don't leave the video for too long during any one section. Good ways to keep them involved but still have an interesting, changing video include:  Costume or outfit changes. Rapping while "in action" (driving, counting money, flirting, etc.) Using extreme or interesting angles, like very low/high shots, fisheye lenses, etc. Because you don't need to sync dancing or rapping with the story shots and there are no lines of dialogue or microphones to set up, you can usually "run and gun" story shots quickly once the main shots are finished. When shooting story shots:  Keep a checklist of the shots you need and cross them off as you work -- nothing is worse than getting into editing and realizing a key "chapter" is missing. Take 2-3 takes of each shot, ensuring at least one of each will work. Keep the shots short -- think of linking a lot of little images instead of filming one continuous story. B-roll shots are images that you don't have a place for yet, but will eventually fill in any gaps you have while editing. Think of a feature film, where many scenes start and end with artistic shots that aren't strictly necessary, but tie the whole thing together. Some ideas of B-roll include:  Solo or up-close shots of important props. Shots of the dancers or extras having fun. Cool shots of each location, helping the viewer see where you are.
A:
Diagram any story shots in advance. Stage each scene with actors/rappers/extras, then set up lights accordingly. Keep your direction simple and loose, especially with extras. Shoot 2-3 takes with the song playing and rapper rapping first. Make sure the rapper is the focus of most shots. Grab any story shots without sound to speed up the process. Pick up B-roll, or extra shots that look cool, in the end.