Write an article based on this "Consider why you are quitting methadone. Speak with an addiction specialist. Set up a support network of friends and family."
article: If you are taking methadone as a maintenance drug to aid in recovering from an opiate addiction, you are probably better off sticking with it. Methadone maintenance has no significant negative health effects, and patients who remain on methadone show gradual but steady improvements in health and functioning, while those who quit worsen in both aspects and have a much higher tendency to relapse into opiate use. You will need both medical and psychological support to get off of methadone. It is important to note that not all doctors are able to prescribe withdrawal drugs like suboxone, because it requires a special training and approval from the government, such as the Drug Enforcement Administration (DEA) in the Unites States. Physicians with the proper training can tailor a withdrawal program to suit your needs and prescribe appropriate withdrawal drugs. Quitting methadone is not easy. You will suffer withdrawal symptoms, and you will need to either carefully reduce your methadone intake over time or take medications regularly to substitute for methadone. Especially if you are quitting in an out-patient setting, it is extremely helpful to have friends and family who can hold you accountable and remind you to stay on course.

Write an article based on this "Check the light. Consider composition. Take more photos than you need. Let the project evolve."
article: Capture test images to determine what ISO is needed. ISO determines how much light the lens allows through while capturing images, and how quickly the image can be captured. You should use low ISO for brightly lit, slow moving, or still subjects. Increase your ISO to capture images in dim lighting or those that are moving quickly.  Many new photographers stay away from high ISO shots because they allow more light through producing a “busy” image. However, these images are often easier to edit later as there’s more information to work with.  If it’s very bright in your location or you’ve set up artificial lighting, a low ISO is likely adequate, For darker areas, you’ll likely need to use a higher ISO. Most cameras have a base ISO of about 200. ISO increases by doubling, so the next ISO would be 400, then 800, etc. This essentially doubles the lens sensitivity, allowing more light through and capturing the image more quickly. If you need one second to capture an image with a base ISO of 100, you’ll need one eighth of a second to capture with an ISO of 800. If you’re an experienced photographer, you likely have a variety of photo composition methods that you use regularly. For those who are new to photography, learning a basic technique like the rule of thirds is typically a good place to begin. The rule of thirds is the idea that every photo can be broken down into nine specific areas by creating three vertical sections and crossing them over with three horizontal sections. Then, try to place your main subject in one section with a focal point where the sections cross.  Even snapping candid shots, which you may need to capture quickly, take a few moments to think about how objects are placed to make the most impact. Always think about how the main subject’s surroundings play into the overall image, and try to create different levels and points of interest. You can change composition as part of the editing process in some cases, so if you can’t line up the shot just right, don’t let it deter you from capturing the image you want. If you’re hoping to get ten to fifteen good shots for the essay, you may need to take several hundred photos to get exactly what you want. Capture each image from a variety of angles. Climb up high or take images from the ground to provide a variety of perspectives for your viewers. Zoom in for details and zoom out for overall shots. Shoot each shot several times to make sure you get what you need and give yourself options.. Even though you’ll enter the shoot with an outline, don’t create such a stringent plan that you feel unable to waver from it. If you start the shoot thinking you’re going to capture a series of images that show a day of work in an office, and you end up seeing one specific employee who seems to be doing something interesting, don’t hesitate to follow them instead. Odds are, if you think this is the really interesting part of the shoot, your viewers will think so too.

Write an article based on this "Avoid the fake person. If you can't avoid the fake person, keep your interactions short. Don't let annoying fake behavior get to you. Don't stoop to the fake person's level."
article:
Whenever you're dealing with someone who makes you feel annoyed or disrespected, your best move is almost always one of the simplest options available. Simply avoid the person who's aggravating you. Hang out together as little as possible. The less time you spend with this person, the fewer chances s/he will have to get on your nerves. The best part of this policy is that it's also a subtle way of punishing someone for acting fake. When they act this way, they don't get the privilege of hanging out with you. Making decisions about who you hang out with one-on-one is easy. However, sometimes social situations can force you to hang out with fake people anyway (for example, if the fake person shows up to a group event). In this case, you still want to avoid being rude, so don't outright ignore the fake person. Instead, just try to act polite without being overly friendly. This way, you have less of a chance of starting a conversation with the fake person. A good rule of thumb is simply to avoid talking to this person until s/he talks to you first or until you have to for some other reason. Act polite but a little distant towards this person — a little like how you'd talk to someone you've never met before. Keeping your cool around fake people is very important, even if they're really annoying.  It's almost always better to remove yourself from an annoying situation than to blow up at someone whose fakeness is aggravating you. Don't be afraid to give yourself a few minutes of "cool off" time if you feel your temper beginning to flare. However, if the fake person says something disrespectful to you, you don't have to lay back and take it. Fake people need to know that there are limits to their behavior, so fire back by saying something like, "I don't like it when you say things like that around me." You never want to become fake yourself when you're trying to fight fakeness in other people. Resist the urge to "get back" at a fake person by giving in to petty gossiping and rude remarks. Remember that if you act this way, other people may not be able to tell the difference between your fakeness and the fakeness of the person you're fighting.