Article: Pain is actually somewhat rare in early uterine cancer. It does not usually occur until later in the disease’s progression. Any kind of recurring pain in your pelvis can be a sign of a various number of potential health problems – including uterine cancer, pelvic inflammatory disease, endometriosis, and ovarian cysts. You should notify your doctor and get it checked out if you are experiencing any kind of pain or pressure in your pelvis.  A feeling of pressure in your pelvis can also be a sign of uterine cancer. The intensity of the sensation can vary from person to person. You might feel a sharp, stabbing pain in your pelvic region or perhaps a lighter, more continuous feeling of pressure. It should never hurt when you urinate. If you are experiencing pain during urination, it can be a symptom of several problems including uterine cancer or urinary tract infection. Regardless, you should see your doctor immediately if you are experiencing this problem. For the most part, sexual intercourse should not be painful. If you are experiencing pain during sex, especially if it is a recent development, consider letting your doctor know just to make sure nothing is wrong. Your doctor may also be able to recommend something to alleviate the pain.
Question: What is a summary of what this article is about?
Watch for pain or pressure in your pelvis. Notice if it is difficult or painful to urinate. Be wary of pain during sexual intercourse.

Problem: Article: From kids’ tunes like “Row, Row, Row Your Boat” to contemporary pop hits, play basic melodies on the piano and practice singing along. To focus on hitting the right notes, hum or sing “La” instead of singing a song’s lyrics. A piano or virtual keyboard app can help you visualize the relationships between notes, which is the foundation of harmonizing. Now that you know more about creating harmonies, listen closely to your favorite songs. See if you can identify relationships between melodies and harmonies. As you listen, ask yourself what kind of intervals a harmony employs, if it blends seamlessly with the melody, and if there are dissonant, or tense, note combinations. As you listen to a song, work on memorizing the harmony. To make things easier, look online for harmony-only tracks of the song. Useful apps include Sing Harmonies and Harmony Voices. Download an app, learn a song’s harmony, then practice singing your part as you play the melody. When you first practice singing the harmony, lower the volume of the melody so you won’t get drawn away from your part. Record a track of yourself singing a melody, then play it while you sing the harmony. Gradually increase the volume of the recording each time you practice. This will help you learn how to stay on your part without getting distracted by other singers. Additionally, note any rough spots when you listen to recordings of yourself singing. If necessary, spend extra time practicing those sections of the song to improve your pitch and timing.
Summary: Continue practicing with a piano. Listen closely for harmonies in your favorite songs. Practice with a sing-a-long harmony app. Harmonize with recordings of yourself singing melodies.

INPUT ARTICLE: Article: The premise of the story is the underlying idea that drives your story. It is the foundation for the characters’ motivations, the setting, and the action.  One of the best ways to come up with a premise for a scary story is to think about what scares you or revolts you the most. Tap into your fears of losing family members, of being alone, of violence, of clowns, of demons, or even of killer squirrels. Your fear will then come across on the page and your experience or exploration of this fear will also grip the reader. Focus on creating a story that feels personally terrifying to you. The fear of the unknown is one of the most powerful devices for a good scary story. People fear what they don’t know. Think about different scenarios in which you might experience some of your greatest fears. Think too about how you would react if you were trapped or forced to confront these fears. Make a list of “what if” questions. For example, if you fear being trapped in an elevator, ask yourself, “What if I was stuck in an elevator with a dead person?” Or, “What if the elevator mirror was a door into an evil world?” Use the setting to limit or trap your characters in the story. Restrict your character’s movements so he is forced to confront his fear and then try to find a way out. Think about what kind of confined spaces scare you, such as a cellar, a coffin, or an abandoned town. Where you would you dread or fear being trapped in the most? Make sure to keep the climax of your story in mind as you develop the setting. Look at a normal, everyday situation like taking a walk in the park, preparing lunch, or visiting a friend. Then, add a terrifying or bizarre element. You could come across a severed ear during your walk, cut up a piece of fruit that turns into a finger or a tentacle. Or, add a twist to a familiar horror trope, like a vampire who enjoys cake instead of blood, or a man trapped in a dumpster rather than a coffin. Check out the local section of your newspaper or go online and scroll through the day’s articles. Maybe a burglary in your neighborhood took place, tied to a larger string of burglaries in another area of the city. Use a newspaper story as a springboard to create a story idea. Another way to generate story ideas is to use writing prompts. These could be as simple as writing a suspenseful story about staying at a haunted hotel. You might use a prompt about an important party gone wrong or an envious friend who begins to act strangely towards you. Use the prompts to generate a story idea you connect with.

SUMMARY: Make a list of your greatest fears. Add a “what if” element to your greatest fear. Work your fear into the setting of a story. Try taking an ordinary situation and adding something horrifying. Look for a story in the news.

In one sentence, describe what the following article is about: You can extend Congkak by picking up the shells in your storehouse and redistributing them into your houses. Place seven shells into each house beginning with the house that is closest to your storehouse.  If you have more than 49 shells, then put the extras into your storehouse. If you have less than 49 shells, then some of your houses will have fewer than seven shells or may even be empty. Empty houses are considered “burnt.” If a player drops a shell into a burnt house, then that seed goes straight into his or her opponent’s storehouse. Play your next round of Congkak just like you played the first round. Observe all of the same rules as you play, but you do not need to count up the shells at the end of each round. Just collect your shells and redistribute at the end of each round. You and your opponent can continue to redistribute the shells and play Congkak until one of the players has no shells left. The player with all of the shells at the end of the game is the winner.
Summary: Redistribute your shells into your houses. Play using the normal rules. Continue playing rounds in this way until one player has no shells left.

This brings up the Audio ripping dialog box screen.  MP3/WAV/WMA.     check ripped songs after the process is complete.
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One-sentence summary --
Start CDRWIN and click on "Rip Audio CD" link. Click on settings button below. In settings options, select audio format and quality i.e. Select the path for saving ripped music files. Select option regarding naming conventions and other settings. Click on save button below and go back a step to the list of tracks. Now choose the tracks you want to rip and click on start button below. CDRWIN will start ripping your selected tracks to the selected location and in selected format.