It’s the blue circle with a white “A” inside. You’ll usually find it on the Dock. It’s at the top-right corner of the App Store. This opens the Facetime page on the App Store. It’s right below the app’s icon. Facetime will now download and install to your Mac. Once the download is complete, an “Open” button will appear. You can click that button to launch Facetime.
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One-sentence summary -- Open the App Store on your Mac. Type facetime into the search bar. Click Facetime. Click Get. Click Install app.

Q: Use freshly brewed grounds for best results. Your pot should be large enough to boil two cups (500 milliliters) but not so large that the water you’ll use will evaporate away. Stir the pot so that the water and coffee mix together. This will allow for better color saturation and will prevent having clumps of coffee burn onto the bottom of the pot. To create more tanner, increase both the coffee grounds and water in equal parts. Bring your water to a boil and let it continue to boil for about two minutes. If it boils too long, the water will evaporate. Set the coffee-water aside until it cools back to room temperature. Do NOT rush to apply your product. If it’s too hot, then you may suffer burns. Massage both the water and the grounds onto your body. You should have coffee grounds spread across your skin when you’re finished. It’s best to wear gloves while applying the product to prevent stained hands. The coffee needs time to seep into your skin, so set a timer. Try to remain still so that the coffee grounds stay on your skin. Avoid cleansing your skin or shaving because you may accidentally remove your new tan. Gently towel off when you’re finished.
A: Transfer 1 cup (250 milliliters) of used coffee grounds to a medium pot. Add 1 cup (250 milliliters) of water. Boil the coffee grounds. Allow it to cool. Rub your cooled coffee-water on your skin. Allow 15 minutes for the tan to set. Rinse off the coffee grounds.

Article: This is called the slugline and should appear in ALL CAPS at the beginning of a scene. Use “INT” for an interior location and “EXT” for an exterior location. For example, you may write: “EXT. CARNIVAL - MIDDAY” or “INT. LIVING ROOM - NIGHT.” Whenever you use a character name in the script, write it in ALL CAPS. You can then write their dialogue under their name. Center the character’s name and dialogue on the page so it is easy to follow. For example, you may write:AL THE ALIENCome on Mom, let’s ride the Blaster!MAMA ALIENNot a chance on Mars, honey, way too dangerous. Include any sounds in the scene in parentheses and ALL CAPS. For example, you may write, “(CLANKING NOISES)” or “(EXPLODING NOISES).”You should also write any actions done by the characters in ALL CAPS and bold. For example, you may write, “She KICKS the human” or “He CRIES into his pillow.”
Question: What is a summary of what this article is about?
Note the location and time of day of each scene. Format the dialogue for each character. Describe the sounds and actions in the scene.

Article: Video is a visual medium, and while voice overs and text are great to get information across they are not incredibly compelling. If you're shooting alone you will not be able to use dialog, actors, or a ton of sound to tell your story. What you have, however, is all the time in the world to set up great shots, capture good video, and work on creating compelling angles. Have the mind of a photographer on every shot. Ask yourself if, on its own, the image is interesting. A storyboard is just the comic book version of your movie. They are invaluable ways to design your film, allowing you to "see" the movie before shooting. It then acts as your guidebook to the film. You can find and print templates online, or simply draw out your basic shots in advance with pen and paper. Improvising for the camera has it's place, of course. But storyboards are a good way to plan where the camera should go. Camera microphones are notoriously bad, and they become useless when the camera is far away from the action. An external microphone will make a huge difference in your production quality, since most audiences notice bad sound before rough video. Make discrete, compelling "scenes" instead of turning the camera on and letting it run while you move around. This ensures that you think about each scene individually and it makes editing much easier. Focus works by sharpening the image at one particularly distance from the camera. If you move around the camera will struggle to keep up, shifting focus or becoming blurry. Put down a small piece of tape that tells you where you need to sit or stand for each take. Films of any lengths are built in the editing booth.The more raw material, or film, that you have to work with the happier you will be, and the easier it will be to make a great movie. Grab different angles of the same shot, run through different lines, or videotape your environment for atmospheric shots. Every extra shot counts. Experiment with shots. Take crazy angles, get weird, abstract shots of everyday objects, and really explore your area with the camera. You may not use the footage, but even grabbing one compelling shot out of 100 will be worth it.
Question: What is a summary of what this article is about?
Focus on telling your story or idea visually. Make a storyboard of your film. Use an external mic instead of the camera microphone. Shoot in short bursts, not long single takes, when getting lots of footage. Stay in one place if you are filming yourself. Get 3-5 times the footage you think you need.