Article: Any compliment you say, you have to absolutely mean. Girls will always be able to tell if you don’t mean it. They may not call you on it, but they’ll know and it will make them feel awful and awkward. This is the main key to being able to compliment girls without offending or upsetting them. If you respect them as people, as valuable human beings with worthwhile opinions, feelings, hopes and dreams, who are capable of doing everything that you can do, then any compliment that comes out of your mouth will probably be fine. If you’re still worried, think about how the compliment would make you feel. Don’t just look at the surface of the compliment...think about the things that she worries about and the experiences she’s had. Think about what the compliment could mean if taken out of context. Think about how you would feel if someone you didn't know said that to you. If it would make you feel uncomfortable, it’ll probably make her uncomfortable too. You need to compliment her at appropriate times, like when you’re on a date, or you’re having a conversation related to what you want to compliment her on. This also means pairing what you want to compliment her on with the situation that you’re in. This is very important, as doing this in the wrong situation can be very demeaning. For example, don’t compliment her on her physical appearance after she’s just given a presentation (unless it’s to say that she looked fierce and was commanding the whole room). Instead compliment her on her hard work, her great way of phrasing the information, or her clear intelligence shown in how she put the presentation together. Complimenting her physical appearance in this situation would be demeaning, but complimenting her work is empowering. You don’t always have to say a compliment for it to come across loud and clear. A very effective way to compliment her can be to show your compliment in how you react to something that she’s done or said.  For example, if she’s just worked very hard on something, you can compliment her hard work by treating her to a relaxing back massage. Another example would be that if she does something really nice for someone, do something really nice for her, like making her dinner. These actions can also be ways to introduce a spoken compliment, by telling her why you’re doing what you’re doing. If she doesn't respond to your compliment in the way that you’d like, don’t be a jerk or think (or tell her!) that she’s stuck up or thinks too highly of herself. This only proves to her that you were complimenting her for your own sake rather than hers. Instead, tell her calmly that she doesn't have to believe you but that you meant it sincerely and you hope she takes it for what it is. Leave her alone after that. This is most common when complimenting girls you don’t know. Girls you do know will probably modestly reject a compliment because they are frequently conditioned to do so, at which point you can simply emphasize that you really mean it or think it, or just straight-up tell her not to be so modest.
Question: What is a summary of what this article is about?
Be sincere. Be respectful. Think about how the compliment would make you feel. Compliment at appropriate times. Show your compliment in your actions. Accept rejection respectfully.
Article: Depending on the venue and your experience and style as a DJ, a club may have a specific stylistic request for you, or you may have more freedom to play what you want. But whatever the nature of your agreement, you need to spend some time before the set sketching out a basic theme, with at least your first five tracks laid out.  Are you going to stick with straight-up club jams, or are you going to throw any surprises into the mix? Old-school disco fist-pumpers? Rock songs? Make sure you've got any swerves prepared for on your disc drive, or in your record crate. You can always throw the plan away, but at least you'll have something to start with and get a chance to read the crowd. If you drop a trance-beat banger and nobody moves, you'll know you need to switch up the theme. If the place goes wild, you've found your groove. If you've got your head buried in your vinyl crate and your mixers the whole time, you're going to lose them. It's important for a club DJ to pay close attention to what the crowd seems to be responding to, how they're reacting, and what the energy level seems to be in the room. It won't always be obvious, but a good DJ can learn to spot a crowd's needs before they're even aware of it themselves.  Watch for bangers. Some songs will get people pouring onto the dancefloor, which you'll need to follow up with at least 2-4 similar songs to keep the party going. After that, you might start slowly transitioning away from that style, but matching beats so people won't lose it. Watch for the exodus. Likewise, keep an eye out for clunkers. If you throw on something with vocals and all of a sudden people lose it, consider dropping back into your straight-up instrumental set. Find out what people don't like. If every other DJ's going to play it, you might think you're above that new Top 10 single, but if people want to hear the newest dance jams, you'll be doing the crowd a disservice not to play it. Try to stay abreast of the commercial dance music that people are likely to want to hear. You don't have to play the basic song, consider drop a remix or a mash up, or remix it live. Maybe make a few edits of the most popular songs before you go and drop those. Every crowd will be different, and crowds can even change over the course of an evening, or over the course of an hour. Some crowds will want to trance out to nothing but heavy-banging house all night, while others will want to hear some Jackson 5. Pay attention to what works and what doesn't, and have a steady stream of old-school dance classics at your disposal. Sometimes a crowd that skews "older" may seem like an obvious choice for wanting classics, but not necessarily. Any time you're DJing for a non-club type of club atmosphere, in which the crowd isn't necessarily dance-music enthusiasts, you're likely to win the dancefloor will some well-timed classics. People are out to have a good time, not to think hard about the heady and artistic set of experimental electronic dance music you're curating. Give them the music fix they need, get them to dance, and reflect their energy back into your mixes. That's your job. There's no such thing as "a bad crowd," but there is such a thing as a bad DJ. Good DJs can read the room and supply an appropriate soundtrack. People may dance, people may not dance, but it's your job to do the best you can to read the room and reflect the vibe.
Question: What is a summary of what this article is about?
Start with a basic theme. Watch the crowd. Pay attention to the charts. Know when to drop some old school joints. Try to keep everybody happy and in the moment.