Write an article based on this "Sing towards your audience. Make sure you have good posture. Spread your feet out about shoulder width apart. Sing from the diaphragm. Practice placing your voice."
article: Facing the audience directly, versus turning your back towards them, while you sing makes it easier for you to be heard. Stand at an angle to ensure that your voice is heard as loudly and clearly as possible.  Place your focus on the back of the auditorium or the room to help the sound of your voice carry by giving its range a focal point.  Pick a person or an object in the crowd to help center your focus even further. Having someone in the audience to sing to is a helpful tactic in honing your focus. Choosing a tangible object as a focal point while you sing is equally effective. If you don't, you won't physically be able to project. Stand up straight and keep your back and shoulders straight but relaxed.   A great way to perfect your posture is to imagine you’re a marionette puppet on stage and that a string is holding you upright by the top of your head by a puppet master. Your posture will be perfect but in a much more relaxed way. Maintain straight posture, but do it in a way that it doesn’t place too much tension onto your body. You want your focus to be on singing, not on how uncomfortable your body feels in that position. This is where most of your power will come from. You can stand in a relaxed position where your feet are a few inches apart and one foot is slightly in front of the other. Singing from the throat can feel like second nature to an untrained singer, but it is actually the worst thing you can do for your vocal cords and is not the best way to try to project.   Support your voice through breath control. Pull breath from your diaphragm and abdomen muscles by breathing slowly and deeply into your belly. Regulate the amount of breath you use by releasing the breath in a controlled way versus exhaling quickly with force.  While you sing, imagine that your mouth is a resonator guitar. Unlike typical acoustic guitars where the sound comes from the top of the guitar, sound leaves the resonator guitar through the bridge to the resonator, one or more of the spun metal cones. A resonator uses vibrations to project along the guitar’s mouth. Replicate that effect and pull your singing voice to the areas around your mouth where you feel the sound vibrating to project while you sing. Vocal placement is important for vocal projection and is essential to learning how to put your voice in the “forward” position it needs to be in for optimal projection.  Find this by practicing humming exercises. Hum at the end of “mmm” sounds. This will help you feel vibrations and resonance in your face near your mouth and nasal area.  Don’t pay attention to how you hear yourself in your head, instead focus on this area to learn where your voice will come from. This creates less force when you sing.

Write an article based on this "Understand the purpose of a play review. Look at the traditional structure of a play review. Read and analyze review examples. Read the play you are going to review, if possible. Get a sense of the context of the production."
article: A play review is a subjective and educated response to a piece of theater. The reviewer should have a strong background in theatre so their opinion is informed and credible. Though this is not a requirement for writing a good play review.  The review should also give potential audience members a sense of the play. It should let readers know if spending their hard-earned money on a ticket to the production will be money well spent. Noting that you thought the play was “good” or “bad” will not create a strong play review. Instead, you should be specific in your critique and have a thoughtful analysis of the production. Your opinion on the play should be supported by a discussion of the production elements and how they worked together as a whole. The review should also describe the situation or plot of the play without giving too information to the reader. Avoid spoiling any plot twists or turns for potential audience members in your review. The standard play review contains five paragraphs. There are other approaches you can use, such as comparing two plays in one review or writing longer reviews for one play. But traditionally, a play review will analyze several elements of the production in five paragraphs, including:  Paragraph 1: Your introductory paragraph should describe what you saw on stage. You should also give context for the play, such as the playwright or composer of the play and where the play is being staged. Paragraph 2: Briefly summarize the plot of the play. Paragraph 3: Discuss the acting and directing. React to the performers playing the characters in the play. Paragraph 4: Describe the design elements of the production, such as the lighting, sound, costumes, make up, and set and props. Paragraph 5: React to the play as a whole. Would you recommend the play to potential audience members? You can also include a recommendation, like a star rating or a thumbs up/thumbs down. Do a google search of local plays in your city that have reviews online. Pick up a newspaper and check the Arts & Culture section for play reviews. You can also access example reviews online. Read the review(s) and ask yourself:  How does the reviewer structure her review? Does the review follow the traditional structure, with an introduction in paragraph 1, a plot summary in paragraph 2, a discussion of acting and directing in paragraph 3, a discussion of the production elements in paragraph 4, and an overall critique in paragraph 5? Compare two reviews of the same play. How do the reviews compare and contrast? Are they structured differently or have different critiques of the play? Is the reviewer overly critical of the play? Does their analysis seem well supported by scenes in the play, or a discussion of design elements of the play? How does the reviewer wrap up the review? Is there a recommendation at the end of the article, such as a star rating or a thumbs up/thumbs down? If you are reviewing a popular play, like “Hamlet” or “The Little Shop of Horrors”, you should be able to find a hard copy of the play. Newer or more obscure plays may be harder to find in hard copy. Reading the play will help you get familiar with the subject matter and how it appears on the page before you see the production live.  Note the stage directions, the setting notes, and the line breaks or pauses in the dialogue. Pick out any problematic points in the play that you might want to watch for during the production. For example, if you’re going to see Shakespeare’s “Hamlet”, you may make a note of ways the director might stage the pivotal Ophelia drowning scene. Or if you are going to a musical like “The Little Shop of Horrors”, you might note how the director will transition from the song numbers to the dialogue in the production. Your instructor may also ask you to pay particular attention to certain elements, like the lighting or the costumes, so make sure you are prepared to recognize them. You don’t want to do too much research around the production as it may influence your viewing experience. But you should have a sense of the context of the production; which theater company is putting it on, who is directing the play, and what liberties, if any, have they taken with the original content. For example, you may be seeing a version of “Hamlet” that is set in contemporary times and integrates technology in the production. Or you may be seeing a production of “The Little Shop of Horrors” that is set in a record store, rather than a theater. This setting change will change the context of the play, and you should then note how the setting choice is used in the production in your review.

Write an article based on this "Check your rearview mirror and look behind your vehicle before backing out of the parking space. Put your vehicle in reverse and slowly begin backing up when it is safe. Turn the steering wheel in the direction you want the rear of your vehicle to go as you reverse. Apply the brakes and straighten up the steering wheel once your vehicle is all the way out of the parking spot. Put your vehicle in drive, release the brake, and slowly drive forward."
article:
You want to be sure there are no pedestrians walking past and that no other vehicles are in the way.  If you folded your side mirrors in when parking, open them before reversing if you have enough room to do so. If you were able to open the side mirrors or if they were already open, check both to be sure the coast is clear before reversing. You will still need to continuously watch for pedestrians and other vehicles the entire time you are reversing out of the parking space. Remember to continue watching out for people and other vehicles as you back up. Do not release the brakes until the next step. You do not want your vehicle to accidentally roll further backward once you are completely clear of the parking space. If you were side mirrors were folded and you were not able to open them prior to backing out, go ahead and open them now before continuing. You have now successfully pulled into and backed out of a small parking space.