INPUT ARTICLE: Article: You don’t have to do this first, but if you’re dealing with a significant amount of glitter, you probably should – otherwise you may find yourself going through a lot of tape or lint roller sheets. Run the glittery clothing through your typical washing and drying cycle. Make sure you wash these items by themselves. Adding other items into the same load with them will transfer the glitter to those garments, as well. Lay the clothing out flat on a hard surface. Pull a large piece of tape off the tape roll. Place the tape strip, sticky side down, directly onto the fabric. Press down firmly. Then pull the tape up from the fabric. The glitter will stick to the tape. Repeat this as many times as necessary to remove all the glitter.  After using a single piece of tape several times, the sticky side will start to lose its adhesive properties. Throw it away and start with a new piece. Avoid using duct tape, which will not work as well as Scotch or masking tape and may damage some fabrics. Lint rollers are a little more user-friendly and work better than tape strips on large surface areas. Remove the outer wrapping from the roller to expose the sticky surface. Roll it up and down over the fabric. After you make several passes, the adhesive properties will lessen. Pull the sticky sheet from the roller along the perforated line, which will reveal a fresh sticky side. Make as many passes as it takes to remove the glitter from the clothing.  For stubborn glitter, use the roller vertically, then go across the same area with horizontal motions. Lint rollers can be purchased at any grocery store. They are usually found on the same as aisle as laundry detergent and other related laundry items.

SUMMARY: Wash and dry the clothing. Apply strips of Scotch or masking tape to the fabric. Use a lint roller.

In one sentence, describe what the following article is about: Purchase a degreaser concentrate if you’ve already tried wiping the surface down with a homemade cleaner, or if you just want to use a professional-grade detailer. You can find degreasers for car interiors at your local automotive or home improvement store. Since it’s a concentrated product, you’ll have to dilute the degreaser when you’re ready to use it. If you’re using a store-bought degreaser, you’ll need to dilute it before using it on your car vinyl. Mix one part degreaser with four parts of water. Then pour your solution into a clean spray bottle. Spray your diluted degreaser or homemade cleaner directly onto the scuffed vinyl. Scrub with your magic eraser using smooth, even motions until you’ve removed the scuff. For tight spaces that you can’t spray directly, you can spray the scrub pad. If the space is too tight for the scrub pad to access, try using a hard bristle toothbrush. The vinyl surface texture will determine the number of scrub pads you’ll need. Smoother surfaces will most likely require only a single pad. If the texture is rougher or more rubberized, you’ll likely wear through a pad and will need to replace it as necessary until you’ve removed the scuff. When you’ve finished buffing out the scuff, you’ll be left with residual cleaner and light debris. Wipe it away using a dry microfiber cloth. Using microfiber will leave you with a lint-free finish.
Summary: Purchase an auto interior degreaser. Dilute your degreaser in four parts of water. Spray the scuffed surface and scrub. Replace your pad as necessary. Wipe away residue with a microfiber towel.

INPUT ARTICLE: Article: Shakespeare frequently used iambic pentameter to write dialogue for the more important characters in his plays. To speak in iambic pentameter, use ten syllable lines broken up into five “foots.” In a foot, the first syllable is not stressed, and the second is stressed. For instance, say a phrase like, “at once, we must set forth to seize the day” by emphasizing every second syllable (in this case, every second word.) Trochaic rhythm is the opposite of iambic pentameter in terms of the pattern of pronunciation of syllables. Instead of “feet,” trochaic rhythm is comprised of “troches.” Deliver ten syllable lines in two syllable “troches,” with the first syllable being stressed and the second not being stressed. A perfect example of trochaic rhythm is the line "Double, double, toil and trouble; fire burn and cauldron bubble" from Macbeth. Speak in rhymed couplets to sound distinctively Shakespearean. Shakespeare would group two successive lines with rhyming words at the end of each. Couplets can be grouped together to emphasize the effect (i.e., rhyming last words in lines one and two, with different rhyming words in lines three and four). There are many exemplary rhyming couplets in Romeo and Juliet, such as: "Did my heart love till now? Forswear it, sight. For I ne’er saw true beauty till this night."

SUMMARY:
Speak in iambic pentameter. Use trochaic rhythm. Use rhyming couplets.