In one sentence, describe what the following article is about: Millennials generally don’t want to delay happiness in return for career advancement, and as such are not willing to sacrifice their personal lives for their work lives. This does not mean that they’re not willing to work hard - rather, Millennials will work extremely hard during their defined work hours, but they expect to have their “off” times (such as weekends and nights) free from work. In general, Millennials believe that their productivity should not be measured by the number of hours they work, since someone can work for 8 hours and accomplish next to nothing of significance for the company. Instead, Millennials measure their productivity levels by the quality of the work they perform. For example, a Millennial worker might feel better having finished a huge project in 6 hours than having spent an 8 hour day doing “busy work” or answering emails. Millennials are often stereotyped as “entitled” workers and such a perspective can be hard to debunk from the outside. However, in reality, Millennials simply want to feel like more than a “cog in a massive machine.” Instead, Millennial workers want to work on projects that matter to themselves, the company, or the world at large. Give Millennials their own projects or a small piece of ownership over a larger project. Millennials are joining the workforce when there are countless companies and newly-forming startup jobs available daily, so they don’t feel the need to stay working at a company whose values don’t align with their own. Focus on being ethical and fair, and creating a mission that works to make the world a better place. This won’t just help your Millennial workers, but all company employees!
Summary: Recognize the way Millennials want to balance their work life with their personal life. Gauge how Millennials measure productivity. Legitimize their work. Provide work that matters.

The things some people throw away could be free construction material for you. Watch for carpeting or area rugs, large pieces of furniture to use as lumber for other projects and paint.
++++++++++
One-sentence summary -- Check the dumpster area of large apartment buildings periodically, especially when it's close to pick-up day.

Q: Relationships are complicated things. Adding another person (or more) to the mix, even if temporarily, takes time to process. You’re partner will need to dissect the things that they learn in this conversation. Give them time to do this without pressuring them. When you have the “I cheated talk” you may have a certain outcome in mind. Your partner may feel differently, and that’s okay. You have to allow your partner to decide for themselves how they will react to your cheating. You can only be honest, you cannot decide how your honesty is received. Keep in mind that your partner does NOT have the right to react violently or to abuse you because of your cheating. If you wish to continue the relationship and your partner needs time to process, you should be there when they are ready to talk. If your partner needs you to be attentive, do it. Treat your partner like you do genuinely want to continue the relationship and that you do regret the cheating. All too often we allow ourselves to project our guilt onto other people. If you have cheated on your partner, you’ll likely feel insecure thinking that they will now do the same to you. Do not accuse your partner of anything without good (really good) reason. They should not be the victim of your self-inflicted guilt.
A: Allow your partner time to process. Do not attempt to control your partner’s reaction. Be there when your partner needs you. Trust your partner.

Article: If you need to call your boss to take off work, you need to sound the part to avoid suspicion.  Speak slightly slower. Pause occasionally for a second in the middle of your sentences. Don't be too quick to answer. Remember, you are sick and sluggish. Try to breathe through your mouth to sound like you have a stuffed up nose. Your boss might not care how you feel, but if you are going to get the rest of your coworkers sick that's another matter. Mention that you think you caught your illness from someone else. Explain that you are coughing or sneezing and your nose is running all over the place. Don't do this directly into the phone—you don't do that in real life, do you? Hold the phone a reasonable distance away from you and cough or sneeze loudly. Then apologize and continue the conversation. Pour one or two large glasses of water and make your call while sitting by the toilet. If you really need to sound sick, stop in the middle of talking to make a retching and gurgling noise and pour the glass of water. That should simulate the sounds of throwing up. One of the quickest ways to arouse suspicion is to ham it up. If you can just ask to take a sick day without giving too many details, you are less likely to get caught in your web of lies.
Question: What is a summary of what this article is about?
Make your voice sound different. Play up how contagious you are. Cough or sneeze. Fake the sounds of vomit. Don't overdo it.

Problem: Article: What you’re doing is establishing a second source of air that you can use when your lungs run out. While this may make you look like a chipmunk, the more useful analogy is to think of yourself as a human bagpipe, and your cheeks as the bellows. Close your jaw, but make a tiny opening in your mouth, and use your cheek muscles to push the air out slowly. Continue to breathe in deeply through your nose. Control the motion so that it takes between three and five seconds to blow out the air in your mouth  Experts differ somewhat on this step. Some recommend keeping your cheeks puffed out the entire time, refilling them frequently with little bits of air from the lungs. Others, however, suggest that it might be more natural to let your cheeks return to a normal breathing position as you let the air out of your mouth.  Experiment with both to determine which is more comfortable—and effective—for you and your instrument. Since you have been breathing in through your nose the whole time, your lungs should fill up by the time the air in your mouth runs out. You can change where the air is coming from by closing your soft palate. You should do this right before your lungs run out, so you have time to fill your lungs again while you are using the air stored in your mouth. Once you are able to turn it into a seamless process, you will never have to pause to take a breath while playing your instrument again.
Summary:
Fill your cheeks with air, and breathe in and out through your nose. Blow out the air you have been holding in your mouth. Switch to exhaling using your lungs when the air in your mouth runs out. Fill your cheeks with air again. Repeat this sequence continuously.