Q: Plug the charging cable into the port on the headset. Connect the other end to the USB port on your Xbox 360. Your Xbox 360 will need to be turned on in order to charge the headset.  If you have the AC power adapter, you can use that to charge the headset instead. The headset will not work while it is charging. When the headset is fully charged, all four lights on it will blink simultaneously. This may take a couple hours. Turn the 360 on, and press the power button on the headset. Press the Connect button on your Xbox 360 console, and then press and hold the Connect button on the headset for two seconds. The headset will connect to both the console and a controller. The lights on the headset will indicate which controller it is assigned to. You can change the controller it is connected to by pressing the Connect button on the headset. Press and hold the power button to mute the headset. The headset will beep twice whenever the mute settings are changed. Press the "+" and "-" buttons to adjust the volume of the headset.
A: Charge the headset before using it. Turn on the console and the headset. Mute the headset. Adjust the volume.

Q: Get the first string memorized, then focus on one letter completely. Start by finding all of the Es between the head and the 12th fret and then move on to another letter. Trying to learn all the notes at once is much too confusing to be productive, so split the task up into individual notes. There are a lot of theories out there about what order to learn notes, but a good order to try is E - G - B - F - D - A - C.  Practice playing just that one note, using the same finger each time. Build up speed slowly until you can find every single note without looking. You can use the top string to locate just about every note. Once you know the notes on the low E-string you can use the following tricks to find them anywhere. There is a variety of tricks and patterns that can help you find notes at any time with a bit of quick thinking. Using the octaves and matching notes, you can add the following tricks to help you locate any note as you practice:  The top and the bottom string, both E, are identical. The D string, the 4th string, is just the E string shifted 2 frets down. The G string, the 3rd string, is just the A string shifted 2 frets down. The B string, the 2nd string, is just the A string shifted 2 frets up. For example, for the first week, you might spend the first 5 minutes of practice finding every single E on the guitar. For the whole week, find and play every E note on the fretboard, practicing to the point where you don't need to count or find it. The next week, move on to find every single F. After a few weeks you'll have the board happily memorized.  Pick a spot on the guitar and move only up and down on all 6 strings, hitting just the Es in your little box to where you started. Slowly build up speed as you play until you know all the Es on that section of the fretboard. Don't worry too much about the sharps and flats -- once you know the natural notes these will be easy to find. Music notation is written out in notes, so being able to quickly read music and find the matching frets on the guitar is the perfect way to learn the notes quickly and effectively. If you can get to the point of basic "sight reading," where you can look at sheet music and find the notes as you read, you've perfectly memorized the notes.
A: Learn each note individually, instead of trying to learn the whole guitar at once. Find the patterns on the fretboard. Spend 5-10 minutes finding each note every time your practice. Learn to read music to test your knowledge.

Q: Diaphragm calls, or mouth calls, are tricky to use, but their range makes them popular with turkey hunters anyway. Unlike box and slate calls, they aren’t held in your hands. Instead, a mouth call is a rubber or latex organ that fits in the mouth, up against the palate.  Single-reed calls have the best range: you can make a wide variety of noises, and make those noises carry farther, with them. However, they’re hard to learn.  Double-reed calls are a bit more limited, but they’re much easier to use. Since mouth calls don’t require the use of your hands, they’re convenient, but require learning a different set of motions. Find a quiet place where you won’t be interrupted, and get your mouth used to the way it feels to have the call inside it. Here are some exercises you should try.  Start by placing the call in your mouth. Keep the open end facing outside, then push the call up to the roof of your mouth with your tongue. Exhale so that the air is forced between your tongue and the call. Press your tongue hard against the reed, then blow. You will produce a higher sound this way. Now press more gently. With low pressure, the sounds will be lower tones. Exhale syllables, such as "chuck" or “pip,” between tongue and reed. This will help you hear the distinct sounds they produce. Now that you’ve gotten the idea of how it feels to manipulate the call, you’ll want to ensure a custom fit. If it feels a little too large in your mouth, carefully trim along the edge with clean scissors, then pop it back in to check the fit. Remember to trim conservatively--you can always cut more if you need to. The classic yelp isn’t hard to do with a mouth call. Try saying the word “chuck” repeatedly. Experiment with different volumes and pitches to mix it up, and remember: a yelp is the first call you’ll learn on the mouth call, but not the only one. Toms are usually the ones who cackle (or gobble), while hens are the chief cutters. There may be a sex difference in the way these sounds are deployed, but the motion for each is the same. Simply place your call in your mouth, and say “kit kit kit” several times.  Make the sound quicker for cackling. Try listening to recorded cackles and gobbles until you feel you can get it right. Slow the sound down a bit to cut. Purring is especially tricky on the mouth call. Some mouth call users prefer fluttering their lips around the call (as if they're blowing a raspberry), while others roll a syllable in the back of their throat (as if they're gargling). Experiment to figure out which works best for you.
A:
Buy a single or double-reed diaphragm call. Practice moving your mouth. Trim the call to fit your mouth. Begin yelping. Cackle and cutt. Practice purrs.