Say, “Congratulations! I’d like to offer you the position.” If they don’t pick up, leave a voicemail saying, “I’m getting back to you about the graphic design position. Please call me back at your earliest convenience.” Call them back the next day if they don’t return your call. If they still don’t get back to you, send them an email. If they don’t respond to the email, move on to the next candidate on your list. If you can’t agree on a salary or hit another snag during negotiations, you can offer the job to one of the other designers you interviewed. Rank your choices so that you know exactly who to go to next if you need to. Call up the candidate and say you’d like to extend the offer to them. Now is the time to be specific about the salary you’ll offer. A designer with a large portfolio and lots of relevant experience should be offered around $100-$150 per hour, while you can pay someone with less experience closer to $50 per hour. Depending on the size of the project, this could be anywhere from $300-$400. This is a good option if you’re running on a tight budget and can’t afford to pay a designer for every hour they spend on the project. You should have a good idea of how many drafts the designer usually needs from your interview, but state up front how many concepts you expect to be shown. Let them know if you don’t mind taking a look at multiple drafts, or even prefer that as a way to track their progress. If you’d rather have a more hands-off approach, and be shown just 1-2 drafts before you get a final product, say that instead. In this succinct, 1-2 page document, briefly sum up what your business does. Specify what medium you want for the final product, whether that’s a PDF file, an image, or something printed. Set a deadline you’ll need it done by. Describe the goals of this project, your target market, and general do’s and don’t’s for the designer. For example, if there’s a certain style you know you don’t like, tell the designer. Give examples of designs you think are effective or relevant that they might emulate. Many designer retain ownership, giving you only the agreed-on final product, which means that if you want a re-print or need to change the design later on, you’ll need to go back to the designer to do so. Negotiate for ownership if you can, so that you can make these changes more cheaply later on.
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One-sentence summary -- Call the designer with an offer. Wait to turn down the other candidates until the designer has accepted. Offer $50-$150 per hour, depending on their experience. Offer a flat payment if an hourly rate is too expensive. Talk about how many rough concepts you expect from them. Draft a design brief that shows exactly what you want. Discuss ownership of the final project before they start working on it.

Q: Strong, bright lighting will make it easier for you to spot imperfections such as air bubbles, brushstrokes, dents, and bare patches. Having good ventilation is also important as some varnishes and thinners contain strong fumes, which might make you feel lightheaded or nauseous. If the fumes are too strong for you, consider opening a window or turning a fan on. The area you will be working in must be very clean and free of dust. You may have to mop or vacuum your work space to prevent dust from settling on your work and ruining it. If you are working outside, avoid windy days, otherwise tiny dust particles may land in the wet varnish and ruin the finished look. The temperature in the area you will be varnishing should be between 70 °F and 80°F (about 21°C to 26°C). If it is too hot, the varnish will dry too quickly, resulting in tiny air bubbles forming. If it is too cold or humid, the varnish will dry too slowly, thus giving tiny dust particles more time to settle onto the wet varnish. When varnishing wood, you will be working with chemicals that may be harmful if they get on your skin; they may also ruin your clothes. Before starting to varnish your wooden piece, consider wearing some clothes that you would not mind getting dirty or stained, as well as some protective gloves and glasses. You may also consider getting a dust mask or a ventilated face mask. There are many different types of varnishes available, each with its own benefits and drawbacks. Some varnishes are easier to use than others, while others are better for certain projects. Choose one that suits your project and preferences.  Oil-based varnishes, including some polyurethane varnishes, are very durable. They usually have to be mixed with a paint thinner, such as turpentine. They also have strong fumes and must be used in a well-ventilated area. The brushes you use must also be cleaned well in order to preserve them and make them last longer. Acrylic and water-based vanishes have low-odor and can be mixed with just water. They tend to dry quicker than oil-based varnishes, but they are not as durable as oil-based varnishes. The brushes you use can be cleaned with just soap and water. Spray on varnishes are easy to use. They do not require brushes and they do not need to be thinned. They must be used in a well-ventilated area, however, as they have strong fumes, which might make you feel lightheaded or nauseous. Varnishes are also available in both clear and tinted forms. Clear varnishes will allow the wood's natural color to show through while colored varnishes can act as a stain and tint the piece a specific color.
A: Choose a well-lit, well-ventilated area. Choose an area that is free of dust and dirt. Pay attention to the temperature and humidity. Wear proper protection. Find the right varnish.

Article: Slugs generally do well in aquariums. An aquarium should be at least 20 centimeters by 20 centimeters (8 by 8 inches). You can buy an aquarium online or at a pet store.  Make sure to provide proper ventilation. The lid should have holes for ventilation. Something like a mesh lid, for example, would work well. Slugs are very small, especially in comparison to reptiles that are usually kept in aquariums. Examine ventilation holes carefully and make sure a slug cannot creep out of these holes. It's best to use soil, grass, and leaves from outdoors for the substrate. If you took the slug from outdoors, use soil, leaves, and grass from the area where you found it. Make sure to sift through soil before adding it to your aquarium to remove any bugs. Once a week, remove your slug and put it in a safe container with air holes. Remove the substrate and then replace it. Slugs may benefit from certain aquarium supplies such as fake plants and leaves. You can also bring in real material from outside, such as twigs, for slugs to climb on. If you bring anything in from outside, make sure to inspect it carefully before putting it in your slug's tank. Slugs prefer temperatures between 60–70 °F (16–21 °C). Put a humidifier next to their aquarium to keep them hydrated. If the aquarium is too hot or cold, the slug will bury itself and produce more mucous. If it is not humid enough, the slug will dry out.
Question: What is a summary of what this article is about?
Find the right container. Provide substrate. Invest in aquarium supplies. Keep the room cool and humid.