Sketch out the overarching narrative that you are trying to create. What is the narrative environment in which your twist occurs? The world you are creating has its own logic and a set of rules to follow. Do animals talk? Can people fly? Your twist should adhere to these rules and make sense within the narrative world you have created. Keep in mind questions like:  What are the logical rules of the narrative universe you are creating? Does the plot twist abide by those rules? Does the twist make sense in the narrative universe created? Plot twists tend to fall into five different categories. Although it is important to creatively approach your twist and avoid adhering too strongly to a certain trope, taking these five categories into consideration may point you in the right direction.   Reversal of Identity – Someone turns out to be someone or something else. Reversal of Motive – The apparent actions of a character are revealed to be a deception, designed to conceal motives that are the opposite of what was assumed, aka “I thought he was after THIS, but he's really after THAT.” Reversal of Perception – The world that you have been led to believe is real is, in fact, false or incomplete. Reversal of Fortune – Fate intervenes to alter the fortunes of a character for better or worse. Reversal of Fulfillment – A character achieves something only to have another character take it away at the last second. When writing your twist, keep in mind how you want the reader to react. Imaging the desired reaction to the twist will better help you construct your narrative. Constantly ask yourself what the reader expects from the narrative and try to avoid that.   Do you want the reader to feel a sense of certainty before you pull the rug out from under them? Are you trying to cultivate an atmosphere of uncertainty where there the direction of the narrative is unclear? Think about the scenario that you are trying to create and flesh out all of the possible outcomes. Your first idea for an amazing plot twist is probably not your best one, and is unlikely to be the scene you use. Professional writers typically work through multiple scenarios before finding a twist that fits. Remember that there are no bad ideas during brainstorming. Think about the apparent scenarios and their implications for your story. Thinking about the obvious scenarios might help you gain some interesting insights on how you should develop your twist. At the least, it will help you better understand which plot points to avoid. Pursue ideas that might seem too outrageous or do not appear to fit. You ultimately want to find something that surprises your reader, so think big. Let these different scenarios simmer while thinking about what direction you want to take the story. Test these scenarios out. You might be surprised by which idea sticks. Put pen to paper and let your thoughts flow. Write out multiple scenarios and explore a variety of outcomes. Reveal that the main character is a robot. Have eagles swoop down and save the protagonists at the last second. This is a writing exercise with no limits where you can flex your creative muscle. Write out as many ideas as you can, regardless of how clichéd, obvious, or ridiculous it they are. Making a visual representation of your scene, and its place in the broader narrative, is an excellent way to test out a twist. Drawing out your scene will work different parts of your brain and may help you find a new angle for your twist.  Create a bulleted list or outline of your scene highlighting its place in the broader narrative structure. Draw out a network map of the narrative connecting multiple scenes.
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One-sentence summary -- Flesh out your story. Think about types of twists. Anticipate your reader's reaction. Brainstorm ideas. Lay out all of the obvious narrative possibilities. Think outside the box. Freewrite. Visualize the scene.

Article: Again, place your front foot on the front of the deck and rest your back foot slightly behind your front foot. Make sure your stance is solid and you feel well balanced. Push off with your back foot and get moving at a comfortable pace. Stay relaxed and make sure that you're heading straight forward. The more speed you build up now, the faster and more impressive looking your tailwhip will be. Do the simple jump trick by crouching down, jumping up and pulling the scooter behind you. You'll need plenty of air time to perform the tail whip, so make sure you jump as high as you can. With your back foot, kick the tail of the scooter out, either right or left. The direction doesn't matter, choose what is most comfortable to you. Since the scooter deck is attached to a pivot point (the handlebars), it will move away from you on a circular path. Once you're airborne and you've kicked the tail to start the circle, you'll need to make sure the deck returns under your feet so that you can land. Momentum will do most of the work, and the deck will continue to rotate back to you, but you'll need to help it out by moving the handlebars. Push them in a circular motion, moving in the same direction that the board is moving in. The deck will continue turning, so you need to catch it with your feet. When the deck returns to its original position, catch it with your front and back foot. Return to your original stance, with front foot facing forward and back foot just behind it. Stay relaxed as you fall to the ground, and make sure your stance is solid. As you connect with the pavement, let your knees buckle a bit to absorb the shock. Straighten up your handlebars a bit if you need to, you may have changed course in midair on accident.
Question: What is a summary of what this article is about?
Position your feet on the deck. Get some speed. Perform a jump. Kick the tail of the scooter. Move the handlebars. Regain your stance. Land.