Write an article based on this "Find a talent that suits your natural abilities Find a coach Study your craft. Practice."
article: . If you want to be a star, you've got to specialize. What will be the thing that people recognize you for? What's the skill, ability, or talent that will take you to the top? Think about what things come easiest to you, and listen to other people for advice to find your star-making quality.  Are you a gifted athlete? When you and your friends get together to play sports, are you always the first picked, or the one to score the most points? If so, you might have the makings of a sports star. Do you love music? Do you enjoy singing, playing an instrument, or dancing to music, you might have the makings of a pop star, a singer, or a rock star. Do you have the gift of gab? Are you a convincing and organizing presence, a leader among your friends? Does everyone listen to what you have to say? If so, you might have the makings of a politician. Do love to pretend? Do you enjoy movies, plays, and television? Do people ever tell you that you have a dramatic presence? If you're a good actor or actress, movie stardom might be in the cards. . Developing your talents into a star-level degree of skill will require help. Whether you want to go pro in acting or sports, politics or music, you've got to get insider info and learn to hone your skills from an expert in the field. Start taking acting or music lessons. Get private coaching for the sport you play. Secure an internship with a local politician, or volunteer for the campaign. Learn everything you can from people who know more than you. Find role-models as well in your field. If you want to be an actor, which actors do you look up to? Who would you like to emulate? Find someone to model your career after. Whether you do it under the guidance of a coach or go it alone, honing your craft is going to take lots and lots of work. For stars, studying the craft should be a 24/7 occupation. Even if you're flipping burgers, you should be rehearsing your lines. Even if you're just taking the bus to school, you should be going over your practice routines. Absorb all the media that you can. Watch classic movies or listen to the type of music you hope to make. Develop a regular practice schedule and devote as much of your free time as possible to improving your talents in your star-making venture. Budding politicians need to practice speeches and public speaking. Musicians need to practice scales. Actors need to rehearse lines and study scenes. Pop stars need to work on their dance moves. Athletes need to train. Be careful to focus on the proper things. For an actor, it can be tempting to get caught up in superficial things. Updating your social networking, checking TMZ, and other gossip rags isn't "practicing" for being a star. It's wasting time. Study your craft, not the other stuff.

Write an article based on this "Pick up the mallets between your thumb and index finger. Hold the mallets straight and over the glockenspiel. Aim for the middle of the bar. Bounce the mallet off the bar. Keep the mallet near the bars. Alternate hands when playing notes."
article: Holding a mallet is like holding a drumstick or bike handle. Use your thumb to support the outside of the mallet. Wrap your index finger around the other side. This finger should not be on top of the mallet. Move your other fingers under your index finger. Your grip should be about halfway up the mallet shaft. One way to check your grip is to open up your hand. Try to balance the mallet on your index finger. The spot where the mallet feels balanced is where your grip should be. Stay relaxed as you move the mallets towards the glockenspiel. Hold the mallets about three inches (7.62 cm) above the keys at all times. Adjust your hands so that the mallets are level with the ground. Try striking one of the keys. Listen as the note vibrates cleanly. Striking near the ends of the bars produces a more muted sound. The key to good sound is a gentle strike. Don’t use force. Instead, bring the mallet down gently and allow the impact with the bar to bounce it back into position. Striking too hard will also cause the bar to vibrate too much and produce a muted sound. Don’t draw back when the mallet rebounds off the bar. Return it to a holding position right above the keys. As long as you keep the mallets about three inches above the keys, you’ll be able to play notes in rapid succession. Strike the second note with your other hand. If you hit the first one with your left, hit the next one with your right. If you hit it with your right, switch to your left. You will need to cross over your arms as you play. As you advance, you may need to play two notes with the same hand. You do this to minimize crossovers between your hands. Alternating technique is needed for playing two nearby notes very quickly.

Write an article based on this "Turn the wig right-side-out and gently squeeze the water out. Roll the wig up in a towel to remove the excess water. Apply your desired products to the wig. Allow the wig to air dry on a wig stand out of direct sunlight. Blow dry the wig on your head if you are in a hurry. Allow the wig to dry upside down if you want more volume."
article:
Hold the wig over the sink, and gently squeeze the fibers in your fist. Do not wring or twist the fibers, however, as this can cause them to tangle or break. Do not brush the wig while it is wet. Doing so can damage the fibers and lead to frizz. Place the wig down on the end of a clean towel. Roll the towel into a tight bundle, starting from the end that has the wig on it. Press down on the towel, then gently unroll it and remove the wig. If the wig is long, make sure that the strands are smoothed out and not bunched up. Spray the wig with some conditioning spray to help make detangling it easier later on; be sure to hold the bottle 10 to 12 inches (25 to 30 cm) away from the wig. If the wig is curly, consider applying some styling mousse to it instead. Do not brush the wig while it is wet, as this can damage the fibers. If your wig is curly, use your fingers to "scrunch" it every so often.  Scrunching is where you cup your hand under the ends of the hair, lift it upward, then curl your fingers inward. This causes the curls to bunch up and take form. If you are using a Styrofoam wig head, make sure that it is mounted onto a stable wig stand. Secure the wig to the wig head with pins, if needed. Use a hair dryer to dry the wig cap first. Once the cap is dry, place the wig onto your head, and secure it with bobby pins. Finish blow drying the wig while it is on your head. Be sure to use a low-heat setting so as not to damage the fibers. Make sure that you pin your real hair up and cover it with a wig cap before putting the wig on. Turn the wig upside down, then clip the nape part of the wig cape to a pants hanger. You will have to move the pins on the pants hanger closer together in order to achieve this. Hang the wig up in the shower for a few hours so that it can air dry; don't use the shower at this point. If the shower is not available, hang the wig some place that won't get damaged by the water that drips off of the fibers.