Article: Your title might revolve around a particular theme or topic, but you might not like the word choices. Look up key words in a thesaurus to come up with alternate words that mean the same thing. You might have a few key words that describe the theme you want to convey. Adding descriptive words can give more dimension to your title. Think of adjectives or adverbs that might work to enhance your title.  Georgia O'Keeffe titled one painting, "Calla Lily Turned Away," giving more description to the floral subject of her work. Mary Cassatt named one painting, "Mrs. Duffee Seated on a Striped Sofa, Reading," expanding on the most obvious subject to include more details of the painting. Switch around the words that you’ve chosen to see how they flow together. Putting the words in a different order can shift the meaning slightly, or it can make it easier to say. Say the words out loud to hear how they sound together. Instead of delving into a complex naming process, consider giving your artwork a very simple title that describes exactly what is in the artwork. This could be something like “Wooden Table with Fruit Bowl,” “Red Ball,” or “Girl Swinging.”   Emily Carr titled many of her paintings simply, such as “Breton Church” and “Big Raven.”  Claude Monet’s "Still Life: Apples and Grapes” is a still life painting of a table with fruit. Key words that reflect the topic or theme of your artwork might resonate better in another language. Choose a few words and try them in another language.  Make sure you spell the words right in the other language. Double check any accents or other required markings for your words. Missing these markings can potentially mean altering the entire meaning of a given word. Try to find someone who speaks that language. Run your title by them to make sure it doesn’t carry unwanted connotations.
Question: What is a summary of what this article is about?
Look for synonyms of words. Add descriptive words. Try different combinations. Choose a purely descriptive title. Translate a title into another language.

Problem: Article: Having your subject look directly at the camera lens will help you take a detailed photo of their iris and pupil. If you want to capture the eye from a different perspective, have your subject look at a fixed point so you can find the best angle from which to take the shot. Are you drawn to the colors and patterns of the iris, or the reflection of the light on the pupil? Do you want to focus on the wrinkles around the eye, or the curvature of the eyelashes? Your answer to this question will be the main detail you focus on when taking your shot. A catch light is the small white spot you sometimes see in close-up photographs of the eye. You can create a catch light by setting up a stable, continuous source of light. You can use a softbox, an umbrella, a ring light, or natural light to create this effect. Make sure that your camera isn’t casting a shadow over your shot. Many close-up shots of the eye don’t turn out for the simple reason that the photographer didn’t get close enough to the eye. Position your camera’s lens as close your subject as it can be without your shot going blurry. Be careful not to block the light you need for your shot. Adjust your zoom until you find a viewpoint you like. Widening your shot to include other detail can provide some context, but may take away from the detail you’ve chosen to focus on. When taking a close-up shot, the slightest shake of your hand can blur your photo. Using a tripod or other surface to support your camera as you take your photo will help prevent this from happening. If you want to take a macro photograph of your own eye, a camera with flip screen is the best option because it will allow you to easily see whether your shot is on target and in focus. If your camera doesn’t have a flip screen, however, placing a small mirror behind your camera will also give you a view of the display screen. If you’re taking a photo of your own eye with a cellphone, you’ll also want to use a mirror. This is because taking a photo of your eye on the selfie setting of your phone will affect the lighting of your shot.
Summary: Have your subject look at the lens or other fixed point. Examine the eye closely and decide what most interests you. Produce a catch light with a continuous light source. Get as close as you can to the eye. Use your camera’s zoom to hone in on the eye. Keep your camera steady with a tripod or other sturdy surface. Set up a mirror behind your camera to take a photo of your own eye.

INPUT ARTICLE: Article: In order to feel secure while riding, you can hold onto the bars or handles. You can also squeeze them and release some tension caused by your nerves. You can help calm your nerves through deep breathing. Focusing on your breathing can also help to distract you from the ride and may make the experience more enjoyable. Screaming may help to relieve tension while you are riding the roller coaster. This could help to make the experience more enjoyable as you let loose and scream throughout the ride. You may hate roller coasters because you have a fear of heights. If this is the case you may want to close your eyes while you are on the ride. For example, looking down at the ground while you are climbing the first steep hill may be fear-inducing. Instead, close your eyes throughout the ride. This could help take away some of your fears. Some people will experience motion sickness while they are on a roller coaster. In order to combat this, you can keep your eyes open. This way you will be able to see what is coming and this will allow your body to predict the movements. This can help to reduce the symptoms associated with motion sickness. If your friends or family are trying to pressure you into riding a roller coaster and you really hate them, just say no. You don't have to go on a roller coaster to enjoy your experience at an amusement park. There are other rides available. You should never be coerced into riding. Similarly, if someone you know is not ready to try a roller coaster, do not pressure them. Let them make the decision on their own.

SUMMARY: Hold on to the handles. Take a deep breath as the ride starts. Try screaming to calm your nerves. Close your eyes if you are afraid of heights. Keep your eyes open if you experience nausea. Don't feel pressured to ride.

First, draw the rounded base of the teardrop shape. Then, draw the point coming up off of the base. Make the lines leading up to the point bend gradually 1 to 2 times, like a wave, so your drawing looks like a flickering flame. The waves should start about halfway up the teardrop shape. Make it about half the size of the first one, and position it so the base is nearly touching the bottom of the first teardrop. Make the second teardrop wavy just like the first one. The second teardrop will give your flame dimension. Later, you can color it a different shade than the first teardrop so it looks like your flame is burning at different intensities like a real flame. Make this one about half the size of the second one, and give it the same wavy shape. Draw it near the bottom of the second teardrop shape so their bases are nearly touching. Color in the smallest teardrop shape with yellow. Then, color in the medium teardrop shape with orange. Finally, color in the biggest teardrop shape with red. You can use colored pencils, markers, or crayons. Removing the pencil outline will make your flame look more realistic. Don’t press down too hard on the eraser or you could smudge the colors. Once you’ve erased all of the pencil marks, your drawing is finished! Add a candle and wick to your flame if you’d like! Just draw a thin, vertical cylinder under the base of the flame (for the candle), and connect the top of the cylinder to the flame with a vertical line (for the wick).
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One-sentence summary --
Draw a teardrop shape with a wavy point. Sketch a second teardrop shape inside of the first one. Add a third teardrop shape inside of the second one. Color in the teardrop shapes using red, orange, and yellow. Erase all of the lines you drew in pencil.