INPUT ARTICLE: Article: One of the best parts of falling in love is envisioning the future you’ll share with your loved one. Do not let yourself spend even a moment imagining your shared future. Live only in the present and the moment you find yourself unable to do this, pull the plug.  Avoid scheduling out your time together. Try to plan your meet-ups day of so they’re more impromptu and less routine. If you find yourself fantasizing about your friend with benefits, you may not be in the correct emotional space to pursue a relationship like this. Telling your friend with benefits your biggest secrets and making yourself vulnerable to them can only result in you feeling closer to them. This will make it that much harder for you to maintain the distance and separation you need to make this relationship work.  Talk about fun things, like books, movies, music and work. Treat your friend with benefits like a co-worker or acquaintance that you don’t know very well. You and your partner are both human, so it might be inevitable that some jealousy emerges during your relationship. It’s very important to communicate about the feelings you’re having, otherwise, your friendship will fail.  When you or your partner start getting jealous, have a conversation about whether this relationship is still working for you. Recognize that your jealous feelings may mean you have fallen in love, and if so, get out of the relationship as soon as possible. It's easy to fall in love with someone when you see them every day, so a good way to keep from falling in love is to limit the amount of time you spend with a sexual partner. The longer you go without seeing a person, the easier it becomes to stop obsessing about them.  Giving yourself space also includes other forms of communication. Don't call them or reach out to them online. To get yourself through the separation, trying exercising or giving hugs. Exercise increases your dopamine levels and touch increases the oxytocin in your system, which will make you feel happier and calmer. A great way to keep from falling in love is to become too busy to even think about it. Throw your energy into your work, or your hobbies. Concentrate on getting into shape or learning a new skill. Do whatever it takes to keep your mind occupied on yourself and not on the person you're obsessing over.  Dating a new person is also a great way to get your mind off of someone else. When you feel yourself starting to go down the love rabbit hole, force your mind to think of something else.

SUMMARY: Don’t fantasize about the future. Don’t share too much emotionally. Keep jealousy out of the equation. Give yourself some space. Focus your energy elsewhere.

INPUT ARTICLE: Article: It is best not to approach a gallery about submitting your work until you learn their policies. If you can’t find the information online, call them to inquire about submission, or ask in person. Follow the guidelines closely to demonstrate that you respect their rules. Some galleries do not accept submissions. If this is the case, look for connections that you might have to artists who have been in the gallery, and ask them to refer you to the curator. This might be your only option for getting into more prestigious galleries. Include illustrious examples of your work, a description of your artistic approach, and a link to your artist website. Focus on what you can offer to the gallery, rather than what they can offer you. Many curators like to collect paper documents on artists before they will show their work. Include high-quality images of your work as attachments to the email. If they’re interested, they’ll look through your work and have a copy of it on hand. One of the best and easiest ways to get your foot in the door at a gallery is by having a referral from someone who has a connection with the curator. This can be an artist who has shown there before, an art critic in the field, or a respected buyer. If you don’t already have a connection, make one by contacting them. Always be respectful of the people who you are asking for a referral, and be understanding if they don’t feel like they can offer you one at this time. Ask if there’s anything that you can do better. They might be able to steer you in a new direction with your work! Often, you’ll have to sell yourself and your work to a curator in order to get them interested. Practice your elevator pitch and decide on 3 specific points that make your art exciting and worth the gallery’s attention. For example, if you’re a painter, you could say “I work with oil on canvas to create representative images of the contemporary, middle-class version of the American Dream. I like to focus on the imagery of capitalism and overabundance.” Mention a time that you visited a show at the gallery and saw pieces that had a common theme with your work. Talk about specific pieces that are currently in the gallery and how they pair well with your work. This can be through color, medium, artist background, or theme. If you have a connection with or were inspired by one of the artists who has been featured in the gallery before or is being shown there, mention that to the curator. It’s important to emphasize that your art stands out from the crowd, because galleries are often inundated with submissions. Explain what you’re doing differently, and identify how your art fits into a common theme. Emphasize that it stands out due to the craftsmanship, quality of work, perspective, or experience of viewing.  However, make sure you do your research before claiming that your art style is completely unique or one of a kind. A curator will know their art in and out, so making an unsubstantiated claim like that can hurt you. If your medium isn’t completely unique or you’re participating in a more traditional form of art, explain to the curator how your take on this classic medium is different, modern, and refreshing. Make sure your groupings, series, or categories are easily understandable. Include details about the work’s theme, how the pieces fit together, how many pieces will ultimately be in the group, and when you expect to be finished. For example, you can say “These are the first 5 pieces of my Intergalactic Pioneers Series. All 15 of the pieces will be completed within the year, and will showcase the faces of the future of space travel, including portraits of both real-world figures from NASA, SpaceX, and the ISS, as well as imaginary creatures from afar.” Show the curator how your art fits together in a sort of story or narrative of your life or the life of your subjects. When you present your work to them, have it organized in a purposeful and thoughtful manner that conveys your intended message.  For example, if you have a set of sculptures that are all related in the subject, you might present them in the order that you made them because they are intended to be viewed as a series. If you have a set of paintings that have a similar theme, be comfortable with connecting the similarities of the paintings to one another. If the gallery is interested in your work, they will inform you of their interest. Galleries make money off of the commission of the sale of art. Normally, this can range from 30-60% of the total amount paid for the piece by a collector. Have a percentage in mind, based on the listed value of your art, that you would feel comfortable accepting. Keep in mind they are offering you a space to exhibit and sell your work that you would not have otherwise had. The gallery will present you with a contract for including your art in their space. Be clear with what you desire, but remember that they are the business owners. Ensure the commission percentage is clearly specified in the contract.  Thoroughly read any contract you sign, as it may stipulate that you may show and sell work exclusively through that gallery.

SUMMARY:
Check gallery websites for submission policies. Email a "letter of inquiry" to the galleries of interest to you. Secure a referral from a respected member of the art world. Practice talking about your art. Explain how your art fits into the pieces already in the gallery. Be specific about what makes your art special. Organize your work into categories or groups. Create some context for your art. Evaluate what rate of commission you are comfortable with. Sign with a gallery.