Article: Use the bralette as your shirt under the sweater. This is a good way to completely cover up but show off a little bit of your cute bralette. You can choose how see-through you’d like your sweater to be. A sweater with fairly large holes is a good option to reduce the amount of skin showing, but reveal a bit of the bralette. Put on a long, semi-sheer sweater with black pants and black boots for a day or night look. You can show off a little bit of the bralette while staying modest. Wear a V-neck sweater or shirt that doesn’t come down very far, but does reveal some of your chest. Make sure the top is low enough so that it would show the top of your bralette. Choose a bralette that is trimmed in lace. Wear a V-neck shirt that shows only the trim of the bralette. This works best with a long-sleeved shirt or sweater. The shirt should be fairly loose on you, and allow the shirt to fall off one shoulder so that it reveals the strap of your bralette. Wear a cotton sweater with the sleeves rolled up. Pair the sweater with white pants and sandals for a day out. This is a great option because you can control how much skin you want to show. You can unbutton one or two buttons to show only the trim of your bra. Or unbutton the shirt enough so the top of the bralette shows. Wear the bralette with white button-down shirt, black slacks, and brightly colored stilettos or ballerina flats for a night out.
Question: What is a summary of what this article is about?
Wear the bralette under a semi-sheer sweater. Show only a peek of the bralette. Go for an off-the-shoulder look. Wear a button-down shirt over the bralette.
Article: Many galleries are run by curators with specific tastes and a vision for their space. Take a look around each gallery and identify what connects all of the pieces. Speak to the curator if they are present, and ask them what kind of pieces they are looking to add to their collection. Developing a positive relationship with the curator and becoming part of the gallery community is a great way to get yourself on their radar, even if your work might not fit their specific gallery. You never know who they might know! Openings are normally on a set night every week. View and appreciate the art, but sell your own enthusiasm and skill. Approach artists, curators, and spectators to discuss the art being shown and your own art. Have your elevator pitch in mind! Keep the discussion of your art short, especially if they don’t seem interested in discussing it. Remember you’re at someone else’s gallery and viewing someone else’s work. Grants provide funding for artists to continue working on projects that fit a certain theme. When you apply for grants, you expose yourself to artists and curators who are on judging panels. This will establish you as an artist who takes your work seriously. These "competitions" are usually fundraisers for the organization or gallery and offer very little in terms of career advancement. It is best to save your money and avoid paying fees to be involved in a show or gallery exhibition. Legitimate galleries make money off of the sale of the art, rather than entrance fees from artists. . Having an online presence for your work is extremely important. You can invite other local artists, or other artists with similar styles, to showcase art on a website in a digital gallery. Make sure to include the professional contact information of each artist on the website. Include only high-quality digital images of your artwork. Once you have digital images of your work, create a website and get a professional email address. These galleries normally don't take a cut of your work but require monthly membership fees. Membership will allow you to make many connections and participate in a larger body of work with other artists over a long period of time. You might also have access to group resources and a space to work. Becoming a member can be very competitive, so you will likely still need to present your work and artist statement for acceptance.
Question: What is a summary of what this article is about?
Visit galleries near you. Go to openings and network. Apply for grants. Avoid shows that require an entry fee. Create an online gallery website Join an artist collective gallery.
Article: A new ball will swing naturally in a conventional direction, but at about this age, wear on ball changes its aerodynamics. It begins to swing in opposite direction of seam, towards the shine. Reverse swinging works best when the smooth side of the ball is very smooth, the rough side is very rough, and the seam is prominent. Continually polish the smooth side of the ball during play. Keep in mind, however, that scratching the rough side constitutes tampering, and is illegal. Grip it with your middle and index fingers on either side of the seam, with the ball resting on your thumb and third finger. The rough side should face the direction of the swing. This means the shiny side will now be facing away from the batsman. The difference between a conventional swing and a reverse swing is that in the former, the ball swings in the direction of the seam, while in the latter it swings in the opposite direction.  To bowl an inswing, release the ball with the seam pointed at about a 20 degree angle towards the slip fielders. The last point of contact with the ball should be your middle finger.  To bowl an outswing, release the ball with the seam pointed at about a 20 degree angle towards fine leg.The last point of contact with the ball should be your index finger.  Bowl hard. The faster you are able to bowl, the more effectively you will be able to achieve a reverse swing. The speed necessary also depends on the state of the ball; the rougher the rough side of the ball is, the less speed you will need.
Question: What is a summary of what this article is about?
Use a ball 40 or more overs old. Keep the ball in good shape. Hold the ball along the seam. Bowl as you would a conventional swing, but with the sides of the ball reversed.