You should water the lavender plant in the pot you bought it in, at least an hour before planting. This will ensure that the roots are hydrated, but not damp, before going into the soil. Use a trowel to dig a hole in the location you have chosen for your lavender. The hole should just be deep enough and wide enough to contain the roots when you spread them out. If you're planting the lavender in a pot or container, choose a very large pot — the root system for lavender is much larger than the actual plant. Prepare the soil to receive the lavender and optimize its growing conditions by placing two heaped handfuls of 1-inch (2.5-cm) round stone, along with a 1/2 cup (118 mL) total of lime, well-composted manure and bone meal into the hole. Mix well, then cover this blend with a light layer of soil. The stone will help with drainage, the lime will alkalize the soil, while the bone meal and fertilizer will help to get your lavender plant off to a good start. Lightly prune your lavender before planting. This will give the plant shape, ensure good air circulation through the stems, encourage new growth, and prevent the center of the stems from becoming woody, which is a common problem with lavender. Good airflow is especially important if you live in a more humid climate. Remove the lavender plant from its nursing pot and gently shake to remove any excess soil from the roots. The lavender should be planted into its new home with bare roots, to ensure it quickly and easily adapts to its new growing environment. Carefully place the lavender plant into its prepared spot and rest it on a layer of soil slightly above the stone blend you mixed earlier. Make sure the roots do not come in direct contact with the blend. Fill in any extra space around and above the lavender's roots with soil, lightly patting it into place around the base of the stems. If you're planting more than one lavender plant, leave about 36 inches (91.4 cm) between each plant. This will guarantee good air circulation and allow the lavender space to grow.
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One-sentence summary -- Water lavender in its nursery pot before planting. Dig a hole big enough for the spread roots. Prepare the soil. Prune the lavender. Prepare the roots. Plant the lavender.

Article: You want to get the reader hooked immediately. This sentence needs to give them a feel for your review and the movie -- is it good, great, terrible, or just okay? -- and keep them reading. Some ideas include:   Comparison to Relevant Event or Movie: "Every day, our leaders, politicians, and pundits call for "revenge"-- against ISIS, against rival sports teams, against other political parties. But few of them understand the cold, destructive, and ultimately hallow thrill of revenge as well as the characters of Blue Ruin."  Review in a nutshell "Despite a compelling lead performance by Tom Hanks and a great soundtrack, Forrest Gump never gets out of the shadow of its weak plot and questionable premise."  Context or Background Information: "Boyhood might be the first movie made where knowing how it was produced -- slowly, over 12 years, with the same actors -- is just as crucial as the movie itself." Don't leave the reader guessing whether you like the movie or not. Let them know early on, so that you can spend the rest of the time "proving" your rating.  Using stars, a score out of 10 or 100, or the simple thumbs-up and thumbs-down is a quick way to give your thoughts. You then write about why you chose that rating.  Great Movie: "is the rare movie that succeeds on almost every level, where each character, scene, costume, and joke firing on all cylinders to make a film worth repeated viewings."  Bad Movie: "It doesn't matter how much you enjoy kung-fu and karate films: with 47 Ronin, you're better off saving your money, your popcorn, and time."  Okay Movie: "I loved the wildly uneven Interstellar far more than I should have, but that doesn't mean it is perfect. Ultimately, the utter awe and spectacle of space swept me through the admittedly heavy-handed plotting and dialogue." This is where taking notes during the movie really pays off. No one cares about your opinion if you can't give facts that support your argument.   Great: "Michael B. Jordan and Octavia Spencer's chemistry would carry Fruitvale Station even if the script wasn't so good. The mid-movie prison scene in particular, where the camera never leaves their faces, show how much they can convey with nothing but their eyelids, the flashing tension of neck muscles, and a barely cracking voice."  Bad: "Jurassic World's biggest flaw, a complete lack of relatable female characters, is only further underscored by a laughably unrealistic shot of our heroine running away from a dinosaur -- in heels."  Okay: "At the end of the day, Snowpiercer can't decide what kind of movie it wants to be. The attention to detail in fight scenes, where every weapon, lightbulb, and slick patch of ground is accounted for, doesn't translate to an ending that seems powerful but ultimately says little of substance." Plot is just one piece of a movie, and shouldn't dictate your entire review. Some movies don't have great or compelling plots, but that doesn't mean the movie itself is bad. Other things to focus on include:   Cinematography: "Her is a world drenched in color, using bright, soft reds and oranges alongside calming whites and grays that both build, and slowly strip away, the feelings of love between the protagonists. Every frame feels like a painting worth sitting in."  Tone: "Despite the insane loneliness and high stakes of being stuck alone on Mars, The Martian's witty script keeps humor and excitement alive in every scene. Space may be dangerous and scary, but the joy of scientific discovery is intoxicating."  Music and Sound: "No Country For Old Men's bold decision to skip music entirely pays off in spades. The eerie silence of the desert, punctuated by the brief spells of violent, up-close-and-personal sound effects of hunter and hunted, keeps you constantly on the edge of your seat."  Acting: "While he's fantastic whenever he's on the move, using his cool stoicism to counteract the rampaging bus, Keanu Reeves can't quite match his costar in the quiet moments of Speed, which falter under his expressionless gaze." Give the review some closure, usually by trying back to your opening fact. Remember, people read reviews to decide whether or not they should watch a movie. End on a sentence that tells them.   Great: "In the end, even the characters of Blue Ruin know how pointless their feud is. But revenge, much like every taut minute of this thriller, is far too addictive to give up until the bitter end.""  Bad: "Much like the oft-mentioned "box of chocolates", Forest Gump has a couple of good little morsels. But most of the scenes, too sweet by half, should have been in the trash long before this movie was put out."  Okay: "Without the novel, even revolutionary concept, Boyhood may not be a great movie. It might not even be "good.” But the power the film finds in the beauty of passing time and little, inconsequential moments -- moments that could only be captured over 12 years of shooting -- make Linklater's latest an essential film for anyone interested in the art of film."
Question: What is a summary of what this article is about?
Start with a compelling fact or opinion on the movie. Give a clear, well-established opinion early on. Write your review. Move beyond the obvious plot analysis. Bring your review full-circle in the ending.