This is the most personal way to give the gift of flowers. Simply walk up to your recipient, hold out a bunch of beautiful flowers you picked out with them in mind, and watch their face light up. If you want to surprise your recipient, try hiding the flowers behind your back. If the flowers are intended for someone you live with, place them on the dining table or kitchen counter for them to find when they return home. Include a note informing the recipient of the occasion, or simply tell them that you wanted to do something nice for them later on when you see them.  Scattering a few rose or carnation petals over the bed can be a supremely romantic gesture for a honeymoon or anniversary.  To surprise a coworker or classmate, leave them on their desk so that they're the first thing they see when they arrive. Run a quick search online to track down a business that delivers to your area. Browse their selection of premade arrangements, or piece together your own individually. Then, just provide an address and any other specific instructions for delivery and they’ll take care of the rest.  In addition to standalone flower delivery services, it’s not uncommon for florists to deliver their flowers for a small fee.  Having flowers delivered can be useful when you’re trying to surprise the recipient, or you’re not able to get your gift to them yourself.
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One-sentence summary -- Hand the flowers to the recipient in person. Leave the flowers where you know they’ll be discovered. Send the flowers by way of a delivery service.

Q: Once you’ve sketched out the main components of the story, begin fleshing them out. Establish the setting and the relationship of the characters to the setting, which should be an easily recognizable place that's directly tied to the events of the story. Present the conflict between the characters in enough detail that the conflict or problem is clear and begs for resolution.  Be sure to move efficiently from a causal event to its effect. Don’t meander away from the point of the story. Everything that happens in the story should be directly and clearly related to the problem and its resolution/moral. Work on making the pacing of the fable quick and concise. Don’t waste time with unnecessarily elaborate descriptive passages or meditations on the characters and their surroundings. For example, in "The Tortoise and the Hare," the plot moves quickly from the initial challenge to the race to the hare's mistake and then to the tortoise's victory. Dialog is a key component in conveying a character’s personality and perspective, so rather than explicitly describe a character’s traits, use dialog to illustrate those characteristics.  Be sure to include enough dialog among the characters to illustrate the relationships between them and the nature of the conflict they face. For example, the two characteristics of the tortoise and the hare are established as level-headed and calm on the one hand, and boastful and rash on the other, as we can see through the tone of their dialog: "I have never yet been beaten," said he [the hare], "when I put forth my full speed. I challenge any one here to race with me." The Tortoise said quietly, "I accept your challenge." "That is a good joke," said the Hare; "I could dance round you all the way." "Keep your boasting till you're beaten," answered the Tortoise. "Shall we race?" After showing the nature and details of the conflict, begin moving the story towards its resolution.  There should be a clear and direct relationship between the characters’ actions, the development of the problem, and the illustration of the moral/resolution. Make sure there is a resolution to every aspect of the problem previously established and that there are no loose ends. Referring again to the fable of the tortoise and the hare, the resolution comes when the boastful hare races ahead and then stops to take a nap, while the level-headed tortoise simply plods along, eventually passing the sleeping hare and beating him to the finish line. When the plot of the fable has resolved itself, set out the moral or lesson of the story.  In fables, the moral of the story is typically stated in a single, pithy sentence.  Aim to state the moral in a way that summarizes both the problem, the resolution, and what should be learned from that resolution. The simple moral of the tortoise and the hare, for example, is, "After that, Hare always reminded himself, "Don't brag about your lightning pace, for slow and steady won the race!" It encapsulates both the mistake--being lazy and arrogant from over-confidence--and the lesson to be learned--that slow and persistent will win over quick and careless. The title should capture the spirit of the overall story and should also be enticing enough to catch the reader’s attention.  It’s usually best to save this step until you’ve written or at least outlined your story so you can ensure that the title you choose will reflect the story overall. You might choose something basic and descriptive, in the tradition of Aesop's Fables (eg, "The Tortoise and the Hare"), or choose a slightly more creative or irreverent title like "The True Story of the Three Little Pigs" or "The Eyebrow Story."
A: Fill out your outline. Set the plot in action. Develop dialog. Set out the resolution. Articulate the lesson. Choose a creative and relevant title.

Article: Roll the dough by hand into a cylinder. Cut the cylinder into six equal pieces. For the steps below, work with one piece at a time. Sprinkle flour over any dough you aren't currently using, and cover with a towel or plastic wrap. If you don't have a pasta machine, flour a counter top and roll the pasta out by hand. This takes some muscle and time, so think of it as a baker's exercise plan. Each piece of dough should roll into a rectangle 6 inches (15 cm) wide and 20 inches (50 cm) long. When finished, it should be transparent enough to see your fingers through it.  Lift it off the counter frequently. Dust with more flour to prevent sticking. The heavier the rolling pin, the faster this will be. A pasta machine saves you time and effort, but you'll need to know how to use it correctly. A hand-cranked machine is the cheapest option, but you can use an attachment for kitchen mixers instead.  Set the machine to its widest setting. Press the dough to a flat rectangle and send it through. Fold one end over the center, then the other, making a stack of three layers of dough. Flour lightly and roll it through again. Repeat at least three times to add chewy texture. Repeat this technique if your pasta tears. Set the machine to a slightly narrower setting. Dust with flour and send the dough through, without folding. Repeat with increasingly narrower settings, until desired thickness is reached (typically the third-to-last setting or further). You can use a pizza cutter, a sharp knife, or a pasta cutting machine. This same dough can be used to form noodles of any size. Fold the dough strips into tubes to make macaroni. Pinch dough rectangles in the center to form farfalle. Place pasta sheets between wax paper or a kitchen towel while you aren't actively cutting them. This prevents them from drying out. This dough is best cooked immediately, and only takes 60–120 seconds in boiling water. If you want to store it long term, hang the noodles up to dry over clean, plastic coat hangers or pasta drying racks. Dry until brittle, then store in an airtight container. Once dried, it should last several weeks.
Question: What is a summary of what this article is about?
Divide the dough. Roll the dough by hand. Use a pasta machine instead. Cut the noodles. Cook the pasta or store it. Finished.