Q: Look at the veins on your wrist. If they appear green, you have warm skin. If they appear blue, you have cool skin. Another way to determine your skin undertone is to see how easily you suntan or burn. If you tan easily, you likely have warm skin; if you burn easily, you probably have cool skin. Knowing your skin's undertone is important. If your makeup does not match your skin's undertone, it will look make you look too ashy or yellow. Some companies sell contouring kits that are labeled for warm or cool skin. In this case, buy the one that matches your undertone. If the kits are not labeled, purchase a yellow-tinted kit if you have warm skin, or a pinkish kit if you have cool skin.  Gold and bronze shades are good for warm skin. Nutty or woodsy hues like mahogany and walnut are better for cool skin. Many contour kits work well for both warm and cool. You should also think about if your skin is light, medium, or dark. Using a palette that is too dark looks fake. Contouring kits are just a set of pressed powders that are a few shades lighter and darker than your skin tone. This means that you can use just about any pressed powder, such as foundation or blush, as long as it works with your undertone and tone.  Eyeshadow tends to be more intense in color than other powders, so it's harder to work with. If you do use eyeshadow, choose matte for your shadows and either matte or shimmery for your highlights. Do not buy loose powder. Use pressed powder; it is easier to apply. Bronzer is too shimmery and won't cast natural shadows. Illuminator is also too shimmery. While you can use it above your lips or on your cheeks, you don't want to use it in areas that will get shiny, like your nose. Using illuminator on your nose will make it even more shiny. Camelhair brushes will work the best, but you can use other brushes that are soft and fluffy. Have a selection of large, small, and medium brushes. Blush and angled contour brushes work great here.  Do not use brushes with stiff or synthetic bristles, such as lipstick or foundation brushes. If your powders are more creamy, consider using a makeup sponge or beauty blender instead.
A: Determine whether you have warm or cool undertones. Choose a contour kit that matches your skin's undertone. Buy the powders separately if you cannot find the right kit. Do not use bronzer or illuminator on your nose. Obtain a selection of clean, natural-hair powder brushes.

Article: If you have a top-loading washing machine, lift up the lid as if you were going to start a new load of laundry. The fabric-softener dispenser is usually located right under the lid, in one of the corners. The fabric softener dispenser is usually located next to the detergent dispenser and the bleach dispenser, depending on the structure of your washing machine. If you’re struggling to find the dispenser’s location, check your washing machine’s manual. It should have a layout showing the location of all parts of the machine. If you have a front-loading washing machine, you’ll need to look on top of the machine to access the softener dispenser. Most front-loading machines have a drawer or slot for fabric softener under a lid on top of the machine, next to the drawers for laundry detergent and bleach. If you can’t find the fabric softener dispenser there, it may be located just inside of the main door. As with a top-loading machine, if you can’t find the fabric softener dispenser, check the washing machine manual for a display showing the location of the dispenser. Some washing machines have removable fabric softener dispensers, while others feature a non-removable dispenser. If yours is removable, reach in and gently pull the dispenser out of the washing machine. This will make the dispenser easier to clean. Since it may be clogged, the fabric softener dispenser will likely be gunky and covered with soap and fabric softener. If your washing machine features a non-removable dispenser, it can still be cleaned while lodged within the laundry machine.
Question: What is a summary of what this article is about?
Open the washing machine lid. Open the front door of the washing machine. Remove the dispenser.

Q: A good memoir isn't a life story; it's a peek into a time in your life when you had genuine feeling, a genuine experience.  Try to keep your memoir to a narrow focus on one time period or aspect in your life, ultimately drilling home a larger message. If written well, this one topic or time you went through will become universal and all audiences will be able to relate. Start thinking of writable material.  What's something you can't deny? What or who did you leave behind? What's something you did that you no longer understand? What are you sorry you never did? What physical characteristic are you proud to pass on? When did you unexpectedly feel compassion? What do you have too much of? When did you know you were in trouble? They will bring to mind the experiences you could write about.  If possible, go to the scene and relive the events in your mind. Just because you can't remember it off-hand doesn't mean you shouldn't write about it. Memoirs are all about self-exploration and there's more to you than just you, after all. You are the places you go, the people you love, and the things you have, too. This is one moment when your mind should be playing second fiddle to your heart. And if the emotions are scary, nonsensical, painful, or downright terrifying, all the better. Bringing these to the surface will help you stay in the moment and write with passion, purpose, and clarity.  If a train of thought gets close to a nerve, don't close the doors and draw the curtains. If you stop, your writing will go flat and you'll end up dancing around subjects. Take your mind to a place it may not want to go. Hiding behind those first thoughts may be something worth knowing, worth writing about. Listen to music that can metaphorically take you back in time or noticeably changes your mood. Anything that stirs your emotions and allows your mind to be absorbed back into that moment can shed light on the past. This not only gives you one or two hours a week to get mindfully organized, but it allows your writing to be organic and creative and not the therapy itself. A memoir is not to find closure, it's to be shared with others, to expose a bit of yourself. It's totally normal to feel like you're going crazy. Digging around your old emotions will surely bring them to life and make them feel real. All you have to do, then, is write them down on paper and soak in the catharsis. You may even find that the story is writing itself and the conclusion you never even saw coming is looming right in front of you.
A:
Start narrowing it down. Pull out old pictures, diaries, and objects of nostalgia. Allow your emotions to flow. Give therapy a shot.