Write an article based on this "Write about a specific theme in your outline. Expand a character in the outline. Explore a setting in the outline."
article: You may have had a specific theme in mind when you started writing the outline for your novel. Or you may realize you are interested in a particular theme only after you have finished your outline. Read over the outline and pick out moments or sections that seem to speak to this theme. Then, write down scenes or character moments that are about these theme or that connect somehow to this theme. For example, you may notice the theme of “female friendship” keeps popping up in your outline. You may then write a scene between two female characters that explores this scene further as a way to start your novel. Another option is to pick a character that you are interested in or curious about in your outline and expand from there. Perhaps you are itching to dig deeper into your main character’s perspective. Or maybe you want to start with exploring a minor character in a specific scene. Write a scene exploring just this character. Focusing on a particular character can make starting your novel less daunting and allow you to lean on your outline to help you chart what happens to this character.  For example, you may decide to focus on a supporting character in your story and expand them on the page. You may have a note in your outline, “Father character who is distant and closed off to the main character.” You may then think about why the father character might be distant and closed off as well as why the father character treats the main character the way he does. You may also try exploring the backstory of your main character. Think about your main character’s life before they entered into the action in the novel. You may write about their childhood or adolescent experiences. You may explore formative moments in their life that brought them to where they are at the start of the novel. You may have brief notes on the setting in your outline, or notes of several different settings that appear in your outline. Take one of those notes and expand on it. Write about the objects in the setting and how it feels to be moving in the setting. Use sensory details like how it smells and how it sounds to explore the setting more fully. You can also place your main character in the setting and have them interact with the setting on the page. Think about how your main character might describe the setting to someone else and how they might feel walking around in the setting. Put their body in the space and explore how that feels for them.

Write an article based on this "Open GIMP on your computer. Select the File tab on the top-left. Click Open on the File menu. Select the image you want to recolor. Click the Open button."
article: The GIMP icon looks like a cartoon animal with a paintbrush in its mouth. You can find it on your Start menu on Windows or in the Applications folder on Mac. This button is either on the tab bar at the top of the app window (PC) or on the menu bar at the top of your screen (Mac). It will open your file options. This will open a new pop-up window, and allow you to select the image you want to open. Find and click on the file name in the pop-up window. You will see a preview of the image on the right-hand side of the pop-up when it's selected. This will open the selected image in GIMP. If you're prompted to convert the image profile to a compatible color scale for GIMP, click Convert for the best results.

Write an article based on this "Ask for a reference. Act in plays or local films/commercials. Find contacts through social media. Go to an agent workshop. Get a meeting with an agent. Hire an agent or manager."
article:
If you have friends, colleagues, or classmates with agents, ask them to pass along your information.   Give them copies of your headshots, resume, and reel to pass along to their reps. If you don't have friends or colleagues with agents, find a local community of actors and get to know them. They can help you get your reel and headshots to the right person. You may also need a recommendation to get an agent, so it is key to have someone put in a good word for you who is familiar or has professional relationship with a particular agent. Even if it volunteer or low paying, or part of your school activities. You might get noticed by an agent.   Take every opportunity to act as it comes along. Whether it's a play, a student film, a documentary, a commercial etc. Anything like this can get your work seen and out there! If you are talented, word will get out that you have special qualities that might be desirable in the industry. Agents and mangers go to plays and watch videos that are recommended to them. You might be the next person to get discovered through even a minor project. Any of these opportunities provide you with a way to hone your craft. Any experience can be helpful. Facebook, Twitter, and Youtube can give you amazing exposure through friend and business networks.   Be very careful when approaching an agent over social media. Don't be overzealous or seem desperate. This can turn off a potential business relationship. A good rule of thumb is to think about what you put on social media for this potential agent to see. If you wouldn't want them to hear it or see it in person, you shouldn't post it. The best way to engage with an agent over Facebook or Twitter is to participate in conversation by showing common interests and showing them your content. If they don't respond to you, don't continue to berate them with audition tapes or headshots. This can sour your relationship with other agents, as these people have very close business networks. Agents sometimes hold these to find new talent.   Keep in mind that these are highly competitive. You will want to stand out from the crowd. Don't be shy but be careful you don't appear as too arrogant or odd. Make sure you look professional and unique. First impressions are key in the film and theater industry. Once you've made a contact and you get to know an agent, it is best to set up a formal meeting.   While you might have a unique look and be confident in your appearance, your resume and reel won't make themselves. Show up prepared to discuss your experiences and interests. Your job now is to convince the agent that you are worth their valuable time. You have to let your work show. Don't show up at a meeting expecting an agent to pluck you out of obscurity if you don't have the experience to back it up. An agent or manager will help find auditions or castings for you.  If you hire an agent, after getting your job you have to pay them 10-20% percentage of your salary, depending on whether you are a Union actor or not. Hiring an agent or manager doesn't mean you are guaranteed to get work. Always read contracts with agents and managers before you sign them. There are a lot of scam agencies out there! Your agent will refer you to auditions that you are suited for and recommend you to directors. This is not a guarantee you will get a part or job.