Write an article based on this "Relax. Talk to like-minded people. Avoid harmful coping mechanisms."
article: Being able to use relaxation skills is a large part of positive coping. It helps keep you calm and reduces any anxiety or nervousness you might have about the process. Before the procedure starts, begin focusing on your breath, taking deep inhales and exhales. Discussing your thoughts and feelings with others who have endured a similar situation can help ease your anxiety not only about the procedure, but about your decision to terminate the pregnancy. Getting support during the process and help you feel like you're not going through it alone.  Talk to any friends that share your beliefs, especially if they have also had an abortion in the past. Be cautious about pro-life organizations. These may use manipulation or misinformation in an attempt to pressure you into keeping your pregnancy. Avoid using substances such as alcohol or drugs as a way to cope. This may help in the short-term, but if you are dealing with difficult emotions (depression, grief, loss), substances may only prolong and exacerbate your emotional pain in the long-run.  Try exercise, journaling, talking to a therapist, talking to a friend, creating art, or anything else that may help you process or deal with negative emotions. Make an appointment with a doctor or therapist if you are feeling too overwhelmed, or if you fear that you will turn to harmful coping mechanisms.

Write an article based on this "Cross the left lace over and thread it through the opposite hole. Repeat the process until you’ve laced your laces through every eyelet. Skip the highest holes if you don’t have any more lace. Tie your shoes"
article: Cross the left lace over and thread it through the next highest hole on the right side of the boot. Take the right lace and do the same thing. Pull on both ends of the lace to tighten them. You should see an X. Criss-cross lacing is good if you need your shoes to stay securely on your feet. Continue crisscrossing your laces all the way up your shoe until you don’t have any more empty eyelets. After making every cross, remember to pull on both ends of the shoelace to tighten your boot. You'll need at least 2 inches (5.1 cm) on each end of the lace in order to tie a knot. If you run out of shoelace, avoid threading the laces through the very top eyelets in your shoes. Not threading the top holes will leave you enough lace so that you can properly tie a knot. . Tie a bow with your laces as you normally would to tie your shoes. You can put the bow in front or behind the tongue of the Timberland, depending on whether you want your laces to show. If you're working in your boots, tuck the laces behind the tongue so that they don't come undone and so that you don't trip over them. Pull on both ends of the laces to tighten your Timberlands before you tie your knot or bow.

Write an article based on this "Outline a storyboard. Organize and develop your illustration ideas. Design and practice drawing your characters. Add dimension to the illustrations. Draw your finished illustrations on high-quality paper. Draw up a title page."
article:
When it comes to illustrating, you need to keep the dimensions of your pages in mind to make the most of it. This includes leaving enough space for the text, and making your drawings big enough that they occupy an acceptable amount of space on the page. To get a better grasp of this, it's a good idea to make miniature 'storyboards' to visualize how big certain objects on the page should be when compared to others. Doing a double-page illustration (where one panel of the story encompasses two pages to make a larger image) is an ambitious move if this is your first time making a picture book, but it's perfect for climactic parts of the story that somehow warrant more than a single frame. Before you even set them to paper in a serious way, you should have a very clear idea how you want your art to occupy space on the page. Having a notebook on the side to plan out and develop your ideas freehand is far preferred over jumping into the picture book impromptu. While you're planning out the illustrations, try to make them as close and applicable to the writing as possible. Whenever you're left in doubt, refer to what you've written in the story. Try to keep a consistent tone and style throughout the book. A picture book that goes all over the place will stand a much weaker chance of making an impression than one that drives the same point consistently. The vast majority of stories center around the exploits of characters. For most traditional narratives, you'll need to get really good at drawing (and redrawing) a handful of characters. It is recommended you spend some time practicing your character designs once you have a basic framework for your story. The more you draw the character, the more chances you'll have to get the look right and change things if need be. Visual design is incredibly important for characters in picture books. If you have trouble visualizing what your story's characters look like, try meditating and letting the story play out in your head. Failing that, studying the character design in other books may give you the inspiration you need. Making a picture book at home, there are lots of thing you can do to inject life into your art. You don't have to rely solely on pen and markers; other things, like tape and glued construction paper, can turn your picture book into three-dimensional art. For depth-perspective backgrounds, cut out shapes of construction paper and carefully glue them onto your background. Three-dimensional craftwork is particularly effective when you're trying to realize things like mountain ranges or hills. If you take a liking to this type of crafts work, you could do your entire illustrations this way. Smaller details with tape or construction paper will take a much greater degree of skill to pull off however. If done right, planning should have taken a long time to complete. This will take a great deal of the guesswork out of your illustrating. Using your plans and storyboards as a starting point, realize your illustrations as best as you can, leaving clear space to fit your text. Should you get a couple of pages in and don't like the look of it, you can start over again or go back to practicing before retrying.  Practice is super important before you start drawing the book itself. If the images get progressively better as the book goes on, it'll show the reader that the book was more of a learning process than a finished product. Whatever you do, keep your illustrations consistent in tone and relative quality. Be sure to be as colourful as you can, unless the content of the picture book somehow suggests against it. Picture books need to be eye-catching above all else, and monochromatic sketches are going to leave less of an impression than full-bodied, coloured-in images. The title page should be eye-catching and bold. It needs to be something that captures the tone and essence of your picture book, all the while getting people hooked for whatever may lie between the covers. Take extra time to make the front cover as strong as possible; make it the best demonstration of your skills as an illustrator. And don't forget to make the title itself big and prominent on the page. You're definitely going to want people to know what they're reading.  Professional picture books have a front cover and title page separately. For the sake of an at-home book, these two should be merged into one. Adding your author's credits near the book title is always recommended, even for at-home creations.