Article: Shears designed specifically for trimming hair will give you the best results. Avoid using regular scissors or you may not get an even cut. To keep an established moustache neat and tidy, you can use scissors to tend to the finer details rather than buzzing it all off indiscriminately. For this approach, comb the hairs straight down so that they’re hanging over your lip. You’ll be able to see right away how much you need to take off. Remember to dry-comb your moustache to get a more accurate sense of length. Use the teeth of the comb to gather up the hairs to the desired length. Then, snip off everything that extends beyond them, adjusting the comb as necessary.  Use the bottom blade to gently lift the hairs away from your skin to avoid cutting yourself. Work slowly and carefully—making a mistake may force you to cut your moustache shorter to correct the imbalance. There’s a good chance that your scissors won’t be long enough to clip each and every hair at once. To guarantee an even length, proceed one section at a time, beginning with the philtrum area and moving outward to the edges. Be sure to snip the hairs at the same point all the way across. Use the previous section you cut as a guide so the next section is even.  Double check each cut before you commit to it. Once it’s gone, you can’t put it back. For longer moustaches, trimming the middle section slightly shorter than the sides can create the appearance of shape and body. Look over your moustache from top to bottom and zero in on any excess growth you missed the first time. Once you’ve done this, scan the outer perimeter of your lip for stray hairs. These can also be dealt with using your scissors, though tweezers or a handheld razor will eliminate hairs at or near the root, making them disappear for good.  Turn and tilt your head to get a better look at your moustache from every angle. One or two hairs may go unnoticed at a distance, but they’ll be obvious once you’re face to face with someone else.
Question: What is a summary of what this article is about?
Use hair cutting or grooming shears. Comb your moustache down over your top lip. Hold the comb in place and trim any hairs that fall below your lip. Work from the center of your moustache outward. Inspect your handiwork.
Article: Hold onto the discus with one hand. Place your palm down on the top of the discus so that it is facing the ground. Then spread out your fingers along the outer edge of the discus so they are evenly spaced.   This may go without saying, but if you are right handed, use your right hand. Left-handed throwers will use their left hand. Don’t grip the discus too tightly. Your fingers should not wrap all the way around the edge of the discus. This will make it easier to throw. Use your free hand to support the bottom of the discus until you are ready to throw. However, throwing with both hands is considered a foul. Maintain the position of the discus in your right hand so it is face down, with your other hand supporting the bottom. Remember to remove your bottom hand before you start your throw. Swinging the arm that is holding the discus and then spinning your body around will help you to gain momentum for the throw. The more momentum you can build, the better. Most discus throwers spin around one and a half times before releasing the discus. Some throwers, though, prefer to keep their feet stationary. It may feel natural to lead with your left arm, but resist this urge. Lead with your right leg. As you do, drive with your left leg. Keep the discus at shoulder level, your body leaning forward, and your eyes up mid-spin.  You should pick up your right foot to step before your shoulder passes over it. Try to keep your right shoulder behind your right hip. To keep your left arm in position during this part of the throw, hold it above your left leg as though you’re reading the time. As your left foot sweeps through the last part of the turn (between 6:00 and 5:00), your arm should stall the discus at about 4:30. At this point, the discus should be at least head height. On the final arc of your spin, ground your left foot in the direction you are throwing. Your right foot will continue to pivot, adding momentum. When the disc is directly opposite the release point, lower your left heel. At the start of the final rotation of your spin, the disc will be at head level or higher. Turning into the release, the disc will dip low to about your hip. On release, the disc should be as high as possible. This may sound silly, but it may help your release if you pretend you are slapping a person taller than you who is standing directly in front of you. As you come around to the opening of the cage, release the disc. During the throw, never go over the ring line because this will result in a foul. Your feet may touch the inside of the ring, but must not go over it. Check the landing position of your discus. If it's not as far as you had hoped, keep at it. Frequent practice, discus drills, and training will improve your distance. A well-thrown disc should travel parallel to the ground. Even if you’re practicing with other throwers you trust, do not stay in the ring with the next thrower. While you’re waiting for your next chance to throw, practice the motions of the wind-up and release. Rock solid form will only improve your performance.
Question: What is a summary of what this article is about?
Grip the discus with one hand. Extend your right arm. Swing your arm and spin your body. Watch your body position in the spin, if applicable. Carry momentum through to the release. Release the disc. Find your markings. Exit the ring after you finish throwing.
Article: This is a very important feature when you want to fuse one note into another (Syn always does this). If you have a whammy bar, just push it in and the note will get higher. If you don't, just play the note and force the string up or down the way to make the note a higher note, 1-3 frets higher. This is very important. Usually Synyster has the sound distorted but not always. Syn plays fast, but he plays clean.  Syn uses this quite a bit and is heard and almost every song. This gives it that type of open sound Syn trademarked.
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Learn how to sweep pick. Learn how to "bend the strings". Learn all the scales forwards and backwards. Make sure you don't rush through your licks. Learn how to do dive bombs effectively. Learn how to use harmonic dive bombs. Follow the chords with arpeggio sweeps and string skips.