Q: Let the flower dry completely; it should be free of any moisture. This could take 8 to 36 hours.
A: Combine one egg white (at room temperature) with a few drops of water and beat lightly until the white shows a few bubbles. Dip an entire flower into the egg to coat, then let the excess drip off. Dip the egg-coated flower into a bowl of superfine sugar to coat. Gently shake off any excess sugar. Lay the flower on waxed paper to dry. Once the flower has dried, remove the petals from the rest of the flower. Finished.

Article: Basic: A workout with no goals  Time: A workout with a time goal  Distance: A workout with a distance goal  Calorie: A workout with a calorie burning goal – this will only work if your weight is set properly in settings. The screen will vary dependent on what you have chosen. You may wish to create a playlist at this point.   Put your headphones in and tap Play to begin your workout. If you wish, you can change the music, pause the workout and  end the workout from this screen.  You have just completed your first workout using Nike Plus!
Question: What is a summary of what this article is about?
Tap the Nike + iPod app in your home screen. Choose the type of workout you want to do: Choose the goal of your workout. Choose what music you want to accompany your workout. Choose your playlist or shuffle songs and the Sensor screen will appear. Put your trainers on and jog on the spot to activate the sensor. The following screen will come up. Start running and you will periodically hear voice feedback from the iPod. To end the workout tap End Workout and a screen like this will come up: Congratulations!

Problem: Article: Every time you talk of a character being "sad" or "happy," or even "miserable" or "ecstatic," cut it. Chop it right out; you don't need it. It's not driving your story ahead or giving it any momentum. These things can and should be made clear in other ways. Unless it's in dialogue, it needs to be scrapped. In other words, another character could ask, "Why are you so sad?" but the character at hand would never explore their world confined by the titles given to emotions. After all, "sad" or "miserable" are just words. If we called them "gobbledegook," it'd mean the same thing. These terms have no resonance emotionally. Even "she glanced over and grinned," is a good start for your first draft. Anything that moves away from, "she was happy" is a step in the right direction. This will evolve and grow over the course of your writing; right now, you just need something to hold it together. This is just laying the foundation of your story. Its purpose is just to be cohesive and hold the story together. You'll change everything later once you have the story pieced together. Why did she glance over and grin? What was she thinking to herself? Was she thinking that the boy in the corner was kind of cute? Did he remind her of anyone? What was the motivation for the emotion? Explore the techniques discussed above. Painting an image through dialogue, subtext, body language, and the senses will create a 360-degree picture for your audience to feel fully engrossed in the story. Instead of "she was happy," your audience will actually know how she feels. They won't drive your story forward -- they're too trite to do so.  Few things are less communicative than "I was so happy I could die" or "I felt my world falling apart."  If your character's that happy, have her spontaneously hug someone and then laugh aloud.  If you were that upset, say what happened.  People can understand the emotional impact of any major event; if you describe it, they'll know what it does to the people involved.  Never end a clear, intimate description of an emotional event with a cliché.  If you've done the job of communicating the emotions, you've done it.  Don't feel the need to summarize. Stay in character. The personality you're working with may be the cliché type – just don't end it how it normally ends. The terrible thing about cliches is that people don't actually say them when they're being genuine. But after explaining how your character feels and after her spontaneous hug, if it's in her personality, have her say, "I'm so happy I could just poop a rainbow!" It may be fitting. But again, only if she's that type. Be as graphic or tactful as the rest of your piece is.  Use metaphors and images that fit thematically with the content, and make sure (especially in first-person) the language and images you use fit the character(s).  No talk of velocities or crossed wires in the Old West! If you're speaking, be as frank or vague as your companions make you feel. Not only should you keep the character in mind, but the keep the character in that specific situation in mind. There may be outside factors that are affecting their judgment, senses, and even ability to react, think, or process emotion. Spend some time listening to music, reading poetry, or reading stories of authors that write on similar themes. When you're immersed in the emotion, go back and read your story. Does feel aligned with how you were feeling? Are there any incongruencies? Does anything strike you as disingenuous? If so, scratch it and get back to the drawing board. If a particular emotion is eluding you, give yourself time. The next time you run into that emotion, bust out your notebook and take note of your senses, thoughts, and body. This will get you as close as possible to the truth of this emotion. Nothing is better than first-hand experience. From there, your story will write itself.
Summary: Go through and cut every time you name an emotion. For your first draft, replace it with a simple action or image. For your second draft, get more detailed. Avoid cliches and stock phrases. Stay appropriate. When you're nearly finished, tune into the emotion you're writing about.

INPUT ARTICLE: Article: Start the address line in the middle front of the envelope. It may be more business appropriate to add an honorific prefix, such as “Mr.” or “Ms.” before the name of the person. You should write this directly below the name of the person. This may include an apartment or unit number, followed by a hyphen and then a street address. Canadian addresses have specific postal and province codes for different parts of the country. Before writing out the address, you must find out what the specific codes, including the correct abbreviation of the provinces, are. If the person or business you are writing to hasn’t already given you this information, you can find out by visiting USPS website or the Canada Post website Place 1 space between the city and the province and 2 spaces between the province and the postal code. The country name should always be the last line of the address, unless you are already sending your mail from Canada, in which case this line is not necessary. In the upper left hand corner, write out your return address, following the same format as the recipient’s address. When writing or typing the address, be sure to leave 15 mm (0.6 inches) of space on each side of the envelope. There must be 40 mm (1.6 inches) of space from the top of the envelope and 19 mm (0.75 inches) of blank space from the bottom of the envelope.  Write all business addresses in uppercase letters. If possible, you may want to use a computer to simply type and print the address as this can decrease the processing time. If you have a graphic or logo on your envelope, it must be placed to the left of the address. You must ensure you have the same amount of space left from the edge with the logo included.

SUMMARY: Write the name of the person on the top line. Write the business or department name. Fill in additional address information. Find the correct postal and province code. Write the city, province and postal code on the next line. Write Canada in the last line. Write the return address. Be mindful of spacing.

Q: of liquid per every 1 cup (236 ml) of flour called for in the recipe.  Reduce leavening agents by about 1/8 tsp. each time you make the recipe until you end up with an ideal flavor.
A:
Use more liquid by adding 1 tbsp. Decrease the amount of sugar by as much as 1/4 of the total amount used in the recipe, since sugar causes flour to become dry. Decrease the baking soda or baking powder if you notice a bitter flavor the first time you attempt a high altitude quick bread recipe.