Problem: Article: Rolex watches are expensive to replace and repair, so protect your watch by winding it on a stationary surface where it can't slip out of your hand. The crown is located on the side of your watch by the 3 o'clock marking. Turn the crown counterclockwise until you feel it release from the last thread. It will pop out slightly from the side of the watch. With your thumb and index finger, slowly turn the crown clockwise 360 degrees, or a full rotation, at least 30 to 40 times. This fully winds the watch.  If you only rotate the crown clockwise a few times then the watch will not be fully wound. Rolex designs its watches so it is impossible to over wind them. A device built into the watch will prevent you from over winding the Rolex. Return the crown to its normal position by gently pushing the crown towards the watch and screwing it back on to the threads by turning it clockwise. Your Rolex watch is now wound. If you've wound your watch and it doesn't immediately start working, leave it alone for a little while or rotate it back and forth on your wrist. It may take a little motion for the watch to be working properly. A Rolex watch that stays motionless for approximately 24 hours will usually not wind itself and will need to be manually wound. Keep your Rolex on if you don't want to repeatedly wind it. If your Rolex still doesn't work after winding it, you may have a more serious problem. Take your watch to a local certified and authorized dealer who can assess the watch. If it is broken, the dealer will ship your Rolex to a factory in Switzerland for repairs.
Summary: Place your watch on a soft, flat surface. Unscrew the crown. Wind your Rolex. Screw the crown onto the Rolex. Be patient. Move around. Send your watch for repairs if it still does not work.

Problem: Article: EQs can be an incredible tool to focus the sound of your instruments. With EQs you can either strip or boost high or low frequencies, which can be particularly useful with drum kits. When drum kit sounds are recorded, the vibrations caused by its low frequencies can resonate with other parts of the kit. This might cause a rumble in the kits snare, for example. These sounds can be "rolled off" at the low end with an EQ, creating a purer sound. Where percussion is concerned, snare drums generally sound more powerful with a boost in the lower frequencies, whereas hi-hats and toms often sound snappier and punchier with lower frequencies thinned out. A compressor limits the amount of frequency expressed in your mix. It will raise the volume of quiet parts, lower the volume of loud parts, and maintain the volume of sounds in your ideal range. Due to human error, you can expect that no single instrument will not be perfectly constant throughout an entire recording. Compression can smooth these irregularities automatically for you. Drums and bass form the rhythmic foundation of your song, so be sure you set aside some time to give these a careful listen. Lower frequency sound can be overpowering if you're not careful. Every part should sound distinct, but also cohesive with the whole. If one instrument is excessively bright or dark, it will sound out of place. Think of the tracks of your mix as members of a choir: each part is separately appreciable, but its goal is work together as a collective. Noise gates cut out all noise that doesn't reach a minimum volume. This can be highly useful when a recording has been done in an area with background noise. The buzz of this noise can easily be cut out with a gate.  For specific instruments that aren't as regularly occurring in your mix, it may be easiest to lower your fader. Filtering out unwanted lower volume percussion can be unreasonably difficult when trying to time fading with each sound's “punch." Gate's are ideal for this situation. Experiment with noise gates to get a cleaner, crisper sound from your mix. How sound moves through the stereo field has a definite effect on the sound you produce in your mix. To find the perfect balance, you'll have to experiment with how you distribute your tracks. Beginners should start with a centered bass part, but then might:  Switch off between sides with rhythm guitar and percussion Place a keyboard track so it is slightly off center. Add other tracks throughout the field to give your mix a richer, more realistic quality. The chorus effect, for example, will add layers of slightly different timbres and intonations to a track, making it sound like multiple instruments are playing. As a general rule, this effect is useful for electric keyboards and guitar parts. Some other effects you might make use of while mixing:   Reverb - creates a vibration in the sound, often added to guitars and voice to mask less desirable frequencies and create fullness.  Delay - sometimes called "echo," creates one or more defined sound segments and repeats that segment. There are many different kinds of automation you can be use to improve the musicality of your mix. For example, you might automate your master bus to create louder choruses than your verses. This would create a more prominent chorus in your mix. You can also automate effects returns, which can be useful if you want a reverb or a delay to be less prominent in certain sections of a song. While you're using your EQ, noise gates, and other effects, you should constantly be listening to your entire production. As you do, make small adjustments to each track while always keeping the whole in mind. With each change, listen to you mix anew. Even if individual parts sound great, the complete product has to sound great as well. There are many technical parameters and ranges defined by experts that can blind you to new approaches you might take to achieve your sound. Good sound is a matter of taste. Always trust your ears and never be afraid to break the rules.
Summary: Experiment with equalizers. Use compression tools to ensure consistent volume. Check the sound of the drums and bass. Use noise gates. Play with your panning. Add effects. Use automation to create a more musical song. Put everything together. Break the rules and explore new techniques.

Problem: Article: Try to pull it off in 1 piece.
Summary: Wrap ice cubes in a plastic bag. Apply the cold bag to the gum until it hardens. Tug at the gum from the corners. Reapply the ice if the gum is not fully hardened. Finished.

Problem: Article: From your contacts list, find your contact. Double-click on the name to start a conversation. A chat window will appear. If the person isn’t on your contacts list yet, you can search for him or her using the search box. At the bottom of the chat window, there’s a text box. Use that to type in your messages. Press the Enter key to send your message. Enjoy your conversations with your contacts through Lync.
Summary:
Select a contact to talk to. Start typing. Chat away.